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A Daring Venture : Rudolf Hess and the Ill-Fated Peace Mission of 1941

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Friedensmission, Zweiter Weltkrieg, Adolf Hitler, England, Biographie, Leben Scheitern Mission Frie Raina, Peter: A Daring Venture : Rudolf Hess and the Ill-Fated Peace Mission of 1941 Oxford, Bern, Peter Lang, 2014. SEHR gutes Exemplar der ERSTAUSGABE. SIGNIERT mit WIDMUNG des Autors, datiert April 2014. BEILIEGT: Ausführlicher handschriftlicher BRIEF des AUTORS , datiert 21.12. 2013 in deutscher Sprache, Albrecht Haushofer betreffend , an einen deutschen Leser. - At the height of the Second World War, Hitler`s Deputy, Rudolf Hess, made a dramatic solo flight to the British Isles. His arrival there was sensational news - and it baffled everyone. Why had he come Hess claimed he had flown to Britain entirely of his own initiative and was on a personal mission of peace. But so unlikely was the success of such an appeal in Churchill`s entrenched Britain that historians continue to wonder at his motives. In this book, Peter Raina publishes, for the first time, complete texts of Hess`s `peace proposals` and a treatise he wrote in captivity outlining how he saw Nazi Germany`s role in Europe. These texts throw considerable light on Hess`s mission and also on how the Nazi leadership saw their programme of expansion and their relations with Britain. Disconcertingly single-minded and an unashamed disciple of Hitler, Hess was at heart an idealist. His friend and confidant Albrecht Haushofer was an idealist of a different kind, and joined the German Resistance Movement. The frame story of this book relates how the two men moved to their tragic ends. ( NEUDRUCK auf ANFRAGE : 78 euro ) Originalbroschur. 278 Seiten. ERSTAUSGABE. SEHR gutes Exemplar der ERSTAUSGABE. SIGNIERT mit WIDMUNG des Autors, datiert April 2014. BEILIEGT: Ausführlicher handschriftlicher BRIEF des AUTORS , datiert 21.12. 2013 in deutscher Sprache, Albrecht Haushofer betreffend , an einen deutschen Leser. - At the height of the Second World War, Hitler`s Deputy, Rudolf Hess, made a dramatic solo flight to the British Isles. His arrival there was sensational news - and it baffled everyone. Why had he come Hess claimed he had flown to Britain entirely of his own initiative and was on a personal mission of peace. But so unlikely was the success of such an appeal in Churchill`s entrenched Britain that historians continue to wonder at his motives. In this book, Peter Raina publishes, for the first time, complete texts of Hess`s `peace proposals` and a treatise he wrote in captivity outlining how he saw Nazi Germany`s role in Europe. These texts throw considerable light on Hess`s mission and also on how the Nazi leadership saw their programme of expansion and their relations with Britain. Disconcertingly single-minded and an unashamed disciple of Hitler, Hess was at heart an idealist. His friend and confidant Albrecht Haushofer was an idealist of a different kind, and joined the German Resistance Movement. The frame story of this book relates how the two men moved to their tragic ends. ( NEUDRUCK auf ANFRAGE : 78 euro )
[SW: Friedensmission, Zweiter Weltkrieg, Adolf Hitler, England, Biographie, Leben Scheitern Mission Frieden]
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Bestell-Nr.: 214130 - gefunden im Sachgebiet: Nationalsozialismus / Drittes Reich / Faschismus
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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Pan Am (Airways). - Pan American World Airways, Public Relations Division (Editor): Arrival at Rhein Airport of first Pan Am aircraft after World War II. (Original photograph on the history of Pan Am Airways). New York: Pan American World Airways. [ca. 1970-1975]. (ca. 24,2 x 30,4 cm). 1 photograph (back side: English Language). Original photograph with white edge and a title mounted at the back side. Photograph with minimal signs of use, very well preserved. Generally in good to very good condition. ##############-WIR MACHEN EINE FRÜHLINGSAKTION MIT 25 PROZENT AUF DEN GANZEN BESTAND BIS ZUM 31.05. ÜBER IHR INTERESSE AN UNSEREN SELTENEN OBJEKTEN WÜRDEN WIR UNS WIE IMMER FREUEN-############### The original photograph has its origin in the Public Relations Division of Pan Am Airways itself. The company probably published this material in the early 1970s: advertising with Pan Am's importance in the history of aviation. The photograph in a large format (ca. 24,2 x 30,4 cm) shows a Pan Am aircraft at Rhein Airport. There is a title mounted at the back side of the photograph: "Arrival at Rhein Airport of first Pan Am aircraft after World War II." The present photograph probably was made around 1970. Rare original photograph and authentic public relations material on Pan Am's company history from early 1970s!
[SW: Verkehrswesen, 70er Jahre, englisch , Firmengeschichte, Firmenschriften, Flugwesen, Flugzeuge, Luftfahrt, Luftverkehr, Original - Fotos, Photographen, Photographie, Photographien, Presse, USA, Verkehrswesen, Werbung, Wirtschaft, Wirtschaftsgeschichte]
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Bestell-Nr.: 8682c - gefunden im Sachgebiet: Firmenschriften
Anbieter: Antiquariat Schwarz, DE-10559 Berlin
ANTIQUARIAT SCHWARZ / Bibliophilie und Graphik · Zeitgeschichtliche Archivalien · Original-Briefe und Manuskripte · Historische Photographien · Firmenschriften · Unikate

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Linklater, Eric: Karina with Love. With Photographs by Karl W. Gullers. Macmillan & Co, London, 1958. Nur der Umschlag mit leichten Gebrauchsspuren, sonst SEHR gutes Exemplar. Karl Werner Edmund Gullers (September 5, 1916 – February 21, 1998),[1] was a Swedish press and commercial photographer, and also the model for Stieg Trenter`s crime novel Harry Friberg. Gullers established his photography business in 1938 under the name Studio Gullers and it was active until 1978. Early years Gullers was one of five children of Emil, a lawyer and farmer`s son from Rising, Östergötland (one of the founders of what is now the Swedish Liberal Party) and Anna Charlotta Gullers, a teacher. He grew up in Klara, the most central parish in Stockholm. He was brother of Arvid Gullers, and half-brother of Waldemar Gullers, Maj Amalia Gullers, Sigrid Augusta Järemo and Emil Ragnar Gullers. He frequently borrowed his brother`s camera and at the age of twelve his father bought him his own, a Kodak Brownie box camera. Three years later, in 1932, he began working for Anders Forsner, a leading photographer in Stockholm, who gave him his photographic education. He also photographed after hours, learning to use available light, which he continued to favour even for industrial photography. He was one of the founders of the blixthatarnas förening (‘flash-haters association`) for hard-core press photographers. At eighteen years old, he received a scholarship for a trip to England. The trip piqued his interest in photojournalism. Photography Returning to Sweden, Gullers started working with photographer Jan de Meyere, known for his distinctive high-key portraits, at Kungsgatan 19, the street where Gullers had his studio for twenty years. He also worked as aerial photographer at Aeromateriel AB for three summers producing photographs for the first book depicting Sweden from the air. In 1938 Gullers started its own company, Studio Gullers at St Eriksgatan in Stockholm which he operated for forty years. He later employed other photographers to assist with its burgeoning business; notably his son Peter Gullers who later became an architectural photographer and also published many books,[2] Bo Trenter (son of his friend Steig), and Georg Sessler and Björn Enström who both worked there for twenty five years. Assisting were Gullers` then wife Ingvor and Magda Persson, a skilled copyist, both recruited from Jan de Meyere`s studio. After few years at St. Eriksgatan, Studio Gullers moved into one of the 1906 Kungstorn tower blocks at Kungsgatan 30. Studio Gullers AB Gullers Production Ltd was also a book publisher. On September 1, 1939, Gullers was enlisted at Västerås in 1940 and later was deployed as a war photographer. There he befriended Stieg Trenter who based his novel Harry Friberg on the photographer. They remained close until Trenters` death in 1967, and the writer`s novels were used as the screenplays for a 1987 TV drama series in which the part of Harry Friberg was played by Örjan Ramberg; Träff i helfigur, Lysande landning, and Idag röd. In an accompanying TV Movie documentary Stieg Trenter - Ett porträtt, Gullers appeared as himself. Immediately after the war Gullers went to the US where he produced work for magazines and some industrial photography. Fascinated with the photo-books that started appearing in the US about that time, and meeting many of the photographers who had produced them, he returned to Stockholm inspired. He found a publisher for a picture-book on Stockholm which came out in 1946. In 1947 Ziff-Davis in Chicago also published one of his earliest books.[3] He started to spend about 200 days of the year travelling the world.[4] Recognition and contribution Betty Bjurström on the cover of SE, nr 13, 1941. Photographer: K.W. Gullers. During the years 1938-46, Gullers contributed pictures to a series of Swedish and foreign journals, including Picture Post, Illustrated, Se and Vi, and also wrote articles himself. Gullers had his first exhibition, "A bit of Sweden" in London in 1942. The pictures were primarily from his documentation of Sweden during the War and propaganda he produced for the government, but also of Swedish industry. In the spring of 1945 he made around 30 photographs in Malmö of the arrival and recovery of former concentration camp prisoners for Vi. The impact of his photographs influenced the Swedish aid effort.[5] In 1953, Gullers became chairman of Svenska Fotografers Förbund (SFF). Over four years as chairman he worked with, inter alia, Kerstin Bernhard and Karl Sandel on training standards and legal and pricing issues. He was succeeded by Curt Götlin. Gullers was also active in the Nordiska fotografförbundet (‘Nordic Photographic Association’)[6] for fifteen years and was a founding member of Europhot (European Association for the Photographer).[7][8] He was included in Postwar European Photography, May 26 to 23 August 23, 1953, at the Museum of Modern Art. Gullers` representation of Swedish poverty, a Karelian grandmother embracing her granddaughter on a low bed, her bare feet resting on worn floorboards as she rocks a baby in a makeshift cradle, was seen by Edward Steichen. He selected it for the 1955 world-touring Museum of Modern Art exhibition The Family of Man seen by 9 million visitors.[9] From 1957 Gullers became one of the first Stockholm studios with its own Type C colour laboratory, for twelve years producing thousands of photographs a week, and for commissions from major Swedish companies ASEA, Astra, Fiskeby, Volvo, Svenska Metallverken, Stora, Kopparberg, Möln-lycke Väfveriakriebolag, amongst others,[10][4] exclusively using the Swedish medium-format Hasselblad camera. As a result his books were from then on exclusively in colour. He presented Swedish Industry in Colour, an exhibition that was part of the Sweden Comes to Britain 1961–62 campaign at the Federation of British Industries headquarters, in Tothill Street, London and colour printing of the 85 images was funded by the commissioning companies.[11][4] Gullers was the first Swedish photojournalist to have a solo exhibition in Sweden, at the gallery De Unga in Stockholm, following international exhibitions of his work held in London,[12] New York and Chicago, and elsewhere. In 1963, Studio Gullers celebrated its twenty-fifth birthday with a major exhibition at the Ealing Technical College March 19–31,[13] and the book Made in Sweden. Legacy In 1990, the Nordic Museum purchased Guller`s collection of pictures from 1938-78. The collection consists of approximately 470,000 negatives, monochrome and colour, most in 6x6 format. There are also approximately 5,000 archival copies of size 24x30 cm and over 100,000 contact sheets. The collection also includes a negative ledger, a copy of the first editions of sixty-two book titles, press releases and two cameras; his Kodak Brownie and a Rolleiflex. Among subjects of his portraits are Charlie Chaplin (1945), Ingrid Bergman (1945), Ingrid Bergman and Alfred Hitchcock (1946), Gregory Peck (1945), Orson Welles (1952), John Steinbeck (1947), Bruno Mathsson (1951), Duke Ellington (1945), Royal Prince Bertel (1940s), Astrid Lindgren (1952), and Prince Carl XVI Gustaf (1952)[14] Personal life In 1937 Gullers married Ingvor Margareta Alberts (April 4, 1914 – August 21, 2009). They had a son Peter (b.1938), two daughters Ingela Rudebeck Gullers (1949-1973), and Kristina Gullers (Levander). Gullers later married author Barbara Donnely. Exhibitions 1946: Jan 20–Feb 3, Sweden: A Workshop of Democracy, American Swedish Historical Museum, solo show of fifty photographs.[15] 1948 solo show, De Unga Gallery, Stockholm[16] 1960 Swedish Industry in Colour during `Sweden Comes to Britain 1961–62` exposition at the Federation of British Industries headquarters, Tothill Street, London 1963 solo show at Ealing Technical College, London, March 19–31. 1993 KW Gullers: Photo Memories, Mölndal museum 2013: Jan 16–Aug 18 Folkhemmets kändisar (`Celebrity Photographs`), group exhibition from the collection, Nordiska Museet. 2013-2015: images included in travelling group exhibition Folkhemmets room, Nordiska Museet. Originalhalbleinen mit Originalumschlag 28cm Unpaginated. With dust jacket. Beige and red cloth. Contains black and white illustrations. Reprinted. ( First edition: 1958) Nur der Umschlag mit leichten Gebrauchsspuren, sonst SEHR gutes Exemplar. Karl Werner Edmund Gullers (September 5, 1916 – February 21, 1998),[1] was a Swedish press and commercial photographer, and also the model for Stieg Trenter`s crime novel Harry Friberg. Gullers established his photography business in 1938 under the name Studio Gullers and it was active until 1978. Early years Gullers was one of five children of Emil, a lawyer and farmer`s son from Rising, Östergötland (one of the founders of what is now the Swedish Liberal Party) and Anna Charlotta Gullers, a teacher. He grew up in Klara, the most central parish in Stockholm. He was brother of Arvid Gullers, and half-brother of Waldemar Gullers, Maj Amalia Gullers, Sigrid Augusta Järemo and Emil Ragnar Gullers. He frequently borrowed his brother`s camera and at the age of twelve his father bought him his own, a Kodak Brownie box camera. Three years later, in 1932, he began working for Anders Forsner, a leading photographer in Stockholm, who gave him his photographic education. He also photographed after hours, learning to use available light, which he continued to favour even for industrial photography. He was one of the founders of the blixthatarnas förening (‘flash-haters association`) for hard-core press photographers. At eighteen years old, he received a scholarship for a trip to England. The trip piqued his interest in photojournalism. Photography Returning to Sweden, Gullers started working with photographer Jan de Meyere, known for his distinctive high-key portraits, at Kungsgatan 19, the street where Gullers had his studio for twenty years. He also worked as aerial photographer at Aeromateriel AB for three summers producing photographs for the first book depicting Sweden from the air. In 1938 Gullers started its own company, Studio Gullers at St Eriksgatan in Stockholm which he operated for forty years. He later employed other photographers to assist with its burgeoning business; notably his son Peter Gullers who later became an architectural photographer and also published many books,[2] Bo Trenter (son of his friend Steig), and Georg Sessler and Björn Enström who both worked there for twenty five years. Assisting were Gullers` then wife Ingvor and Magda Persson, a skilled copyist, both recruited from Jan de Meyere`s studio. After few years at St. Eriksgatan, Studio Gullers moved into one of the 1906 Kungstorn tower blocks at Kungsgatan 30. Studio Gullers AB Gullers Production Ltd was also a book publisher. On September 1, 1939, Gullers was enlisted at Västerås in 1940 and later was deployed as a war photographer. There he befriended Stieg Trenter who based his novel Harry Friberg on the photographer. They remained close until Trenters` death in 1967, and the writer`s novels were used as the screenplays for a 1987 TV drama series in which the part of Harry Friberg was played by Örjan Ramberg; Träff i helfigur, Lysande landning, and Idag röd. In an accompanying TV Movie documentary Stieg Trenter - Ett porträtt, Gullers appeared as himself. Immediately after the war Gullers went to the US where he produced work for magazines and some industrial photography. Fascinated with the photo-books that started appearing in the US about that time, and meeting many of the photographers who had produced them, he returned to Stockholm inspired. He found a publisher for a picture-book on Stockholm which came out in 1946. In 1947 Ziff-Davis in Chicago also published one of his earliest books.[3] He started to spend about 200 days of the year travelling the world.[4] Recognition and contribution Betty Bjurström on the cover of SE, nr 13, 1941. Photographer: K.W. Gullers. During the years 1938-46, Gullers contributed pictures to a series of Swedish and foreign journals, including Picture Post, Illustrated, Se and Vi, and also wrote articles himself. Gullers had his first exhibition, "A bit of Sweden" in London in 1942. The pictures were primarily from his documentation of Sweden during the War and propaganda he produced for the government, but also of Swedish industry. In the spring of 1945 he made around 30 photographs in Malmö of the arrival and recovery of former concentration camp prisoners for Vi. The impact of his photographs influenced the Swedish aid effort.[5] In 1953, Gullers became chairman of Svenska Fotografers Förbund (SFF). Over four years as chairman he worked with, inter alia, Kerstin Bernhard and Karl Sandel on training standards and legal and pricing issues. He was succeeded by Curt Götlin. Gullers was also active in the Nordiska fotografförbundet (‘Nordic Photographic Association’)[6] for fifteen years and was a founding member of Europhot (European Association for the Photographer).[7][8] He was included in Postwar European Photography, May 26 to 23 August 23, 1953, at the Museum of Modern Art. Gullers` representation of Swedish poverty, a Karelian grandmother embracing her granddaughter on a low bed, her bare feet resting on worn floorboards as she rocks a baby in a makeshift cradle, was seen by Edward Steichen. He selected it for the 1955 world-touring Museum of Modern Art exhibition The Family of Man seen by 9 million visitors.[9] From 1957 Gullers became one of the first Stockholm studios with its own Type C colour laboratory, for twelve years producing thousands of photographs a week, and for commissions from major Swedish companies ASEA, Astra, Fiskeby, Volvo, Svenska Metallverken, Stora, Kopparberg, Möln-lycke Väfveriakriebolag, amongst others,[10][4] exclusively using the Swedish medium-format Hasselblad camera. As a result his books were from then on exclusively in colour. He presented Swedish Industry in Colour, an exhibition that was part of the Sweden Comes to Britain 1961–62 campaign at the Federation of British Industries headquarters, in Tothill Street, London and colour printing of the 85 images was funded by the commissioning companies.[11][4] Gullers was the first Swedish photojournalist to have a solo exhibition in Sweden, at the gallery De Unga in Stockholm, following international exhibitions of his work held in London,[12] New York and Chicago, and elsewhere. In 1963, Studio Gullers celebrated its twenty-fifth birthday with a major exhibition at the Ealing Technical College March 19–31,[13] and the book Made in Sweden. Legacy In 1990, the Nordic Museum purchased Guller`s collection of pictures from 1938-78. The collection consists of approximately 470,000 negatives, monochrome and colour, most in 6x6 format. There are also approximately 5,000 archival copies of size 24x30 cm and over 100,000 contact sheets. The collection also includes a negative ledger, a copy of the first editions of sixty-two book titles, press releases and two cameras; his Kodak Brownie and a Rolleiflex. Among subjects of his portraits are Charlie Chaplin (1945), Ingrid Bergman (1945), Ingrid Bergman and Alfred Hitchcock (1946), Gregory Peck (1945), Orson Welles (1952), John Steinbeck (1947), Bruno Mathsson (1951), Duke Ellington (1945), Royal Prince Bertel (1940s), Astrid Lindgren (1952), and Prince Carl XVI Gustaf (1952)[14] Personal life In 1937 Gullers married Ingvor Margareta Alberts (April 4, 1914 – August 21, 2009). They had a son Peter (b.1938), two daughters Ingela Rudebeck Gullers (1949-1973), and Kristina Gullers (Levander). Gullers later married author Barbara Donnely. Exhibitions 1946: Jan 20–Feb 3, Sweden: A Workshop of Democracy, American Swedish Historical Museum, solo show of fifty photographs.[15] 1948 solo show, De Unga Gallery, Stockholm[16] 1960 Swedish Industry in Colour during `Sweden Comes to Britain 1961–62` exposition at the Federation of British Industries headquarters, Tothill Street, London 1963 solo show at Ealing Technical College, London, March 19–31. 1993 KW Gullers: Photo Memories, Mölndal museum 2013: Jan 16–Aug 18 Folkhemmets kändisar (`Celebrity Photographs`), group exhibition from the collection, Nordiska Museet. 2013-2015: images included in travelling group exhibition Folkhemmets room, Nordiska Museet.
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Bestell-Nr.: 304488 - gefunden im Sachgebiet: Photographie
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
Konto in der Schweiz vorhanden - Zahlung über PayPal möglich auf folgende Email: strassberger@email.de

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Pan Am (Airways). - Pan American World Airways, Public Relations Division (Editor): Credit Pan American World Airways / Pioneer Arrival: The first passengers to cross the Atlantic ... (Original photograph on the history of Pan Am Airways). New York: Pan American World Airways. [ca. 1970-1975]. (ca. 24,2 x 30,4 cm). 1 photograph (back side: English Language). Original photograph with white edge and a short text mounted at the back side. Photograph with minimal signs of use, very well preserved. Generally in good to very good condition. ##############-WIR MACHEN EINE FRÜHLINGSAKTION MIT 25 PROZENT AUF DEN GANZEN BESTAND BIS ZUM 31.05. ÜBER IHR INTERESSE AN UNSEREN SELTENEN OBJEKTEN WÜRDEN WIR UNS WIE IMMER FREUEN-############### The original photograph has its origin in the Public Relations Division of Pan Am Airways itself. The company probably published this material in the early 1970s: advertising with Pan Am's importance in the history of aviation. The photograph in a large format (ca. 24,2 x 30,4 cm) shows the Pan Am Dixie Clipper at Lisbon. The present photograph probably was made around 1970. There is a longer title mounted at the back side of the photograph: "Credit Pan American World Airways / Pioneer Arrival: The first passengers to cross the Atlantic are shown disembarking from Pan American World Airways' Dixie Clipper at Lisbon, Portugal. The first commercial flight for paying passengers took off from Port Washington, New York on June 28, 1939 with 22 passengers and a crew of twelve on board." Rare original photograph and authentic public relations material on Pan Am's company history from early 1970s!
[SW: Verkehrswesen, 70er Jahre, englisch , Firmengeschichte, Firmenschriften, Flugwesen, Flugzeuge, Luftfahrt, Luftverkehr, Original - Fotos, Photographen, Photographie, Photographien, Presse, USA, Verkehrswesen, Werbung, Wirtschaft, Wirtschaftsgeschichte]
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Bestell-Nr.: 8677c - gefunden im Sachgebiet: Firmenschriften
Anbieter: Antiquariat Schwarz, DE-10559 Berlin
ANTIQUARIAT SCHWARZ / Bibliophilie und Graphik · Zeitgeschichtliche Archivalien · Original-Briefe und Manuskripte · Historische Photographien · Firmenschriften · Unikate

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NASA National Aeronautics and Space Administration Galileo Jupiter Arrival Press Kit December 1995 USA 1995 SW: Astronomie Astrologie Sternenkunde Sternwarte Himmelskunde Himmels Atlas Weltall Kosmos Broschur 39 S. Etwa A4 Broschur mit einigen Abb.Antikbuch24-SchnellhilfeAbb. = Abbildung(en) Text englisch. Ausgabe für die Presee zur Mission 1995. 3 Stempel Astronomischer Arbeitskreis Kassel, Inv.-Nr auf Rücken, Cover hinten Knick, sonst gut
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Bestell-Nr.: 26272 - gefunden im Sachgebiet: Varia
Anbieter: Antiquariat Bücher-Insel, DE-34128 Kassel
0

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Kinderbücher, Märchenbücher, Märchen, Wald, Fee, Waldfee. Mattke, Birgit: Ein Waldmärchen. Eberswalde. Arrival Verlag. 2002. 1. Aufl., 60 S. (ISBN 3936997004) 8ºAntikbuch24-SchnellhilfeOktav = Höhe des Buchrücken 18,5-22,5 cm. Farb. illustr. Orig.-Pappbd. (Paperback) mit farb. illustr. Orig.-Umschlag. Sehr gut erhalten.
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Bestell-Nr.: 8735 - gefunden im Sachgebiet: Kinderbücher, Jugendliteratur, Märchen, Sagen
Anbieter: Online-Buchhandel, DE-10407 Berlin
Leider werden hier die Versandkosten nicht richtig angezeigt. So kostet eine 500g-Bücher-Warensendung EURO 2,10 (statt wie angezeigt in der Summe EURO 1,55). Also kommen bei der Endsumme immer noch EURO 0,55 dazu.
Versandkostenfrei nach Deutschland (Land-/Seeweg) ab EUR 100,00 Bestellwert bei diesem Anbieter.
Der Anbieter weist keine Mehrwertsteuer aus (brutto = netto).

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Verpasste Gelegenheiten und andere

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Falk vom Falkenstein: Verpasste Gelegenheiten und andere 2006 Arrival-Verlag farb. ill. brosch. Eb., tadelloses Ex. ISBN: 3936997926
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Bestell-Nr.: 3102878 - gefunden im Sachgebiet: Belletristik
Anbieter: Antiquariat Wilder - Preise incl. MwSt., DE-31020 Salzhemmendorf
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Unsere Angebote finden Sie unter www.antiquariat-wilder.de

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du 631. 10/1993. THEMA: Citoyen der Weltliteratur. Der Erzähler V. S. Naipaul. TA-Media Zürich, 1993. ca. 100 S. Standardeinband. INHALT: V. S. Naipaul: The enigma of arrival. Begegnungen mit einem Meister - von Paul Therroux. Trinidad 1932. Sechs Aufnahmen aus den 30er Jahren. Brennpunkt Illusion - von Peter Hughes. Die Schrecken des Anfangs - von Martin R. Dean. V. S. Naipaul: Die Trauernden. Bei den neuen Barbaren - von Edi Mabengi Angulu. Un pe Pourrie. V. S. Naipaul in Afrika - von John Updike. Ein Ausflug aud den Campus - von M. Banning Eyre. Indien 1993. Sechs Aufnahmen von Dayantia Singh. Der Traum für Mr. Naipaul - von Dieter Bachmann. Vom Altern Europas - von Thomas Ross. Chroniken von Leben und Werk - von Plinio Bachmann. Epilog: V. S. Naipaul: Schiff nach Bombay. Guter Zustand
[SW: Medien Kultur Kunst art Philosophie Literatur Malerei Fotografie Photographie]
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Bestell-Nr.: 28912 - gefunden im Sachgebiet: Kulturgeschichte-Zeitschriften
Anbieter: Antiquariat Thomas Haker GmbH & Co. KG, DE-10439 Berlin Prenzlauer Berg

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Manning, Peter; The Batsford colour Book of Cornwall

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Manning, Peter; The Batsford colour Book of Cornwall London, B.T. Batsford Ltd., 1974. 62 Seiten , 22 cm, Hardcover/Pappeinband die Seiten sind leicht gebräunt, der Umschlag ist fleckig, und teils an den Kanten bestoßen, aus dem Inhalt: Contents: Introduction - Arrival: The Tamar Bridge - Disputed Barricades: Laimceston Castle - Small Harbours: Boscastle - The Mystic Stones: Trethevy Quoit - National Trust: Lanhydrock House - The Granite Kingdom: Rough Tor and Bodmin Moor - New Voyager: Polperro - Fighting Fowey - China Clay - Fishing Village: Mevagissey - Newquay - Irms and Tavems: the Old Albion, Crantock - Truro Cathedral - Tranquillity: Heiford - Island in the Sky: St Michael`s Mount - Mining: St Just - Shifting Sands: Gunwalloe - St Ives - Sand and Sea: Porthgwarra - Shipwreck: the Lizard - Family Outing: Porthallack - Serpentine: Kynance Cove - Lamoma - Land`s End 1e6a The Batsford colour Book of Cornwall; Peter Manning; Bildband; Geografie; Landeskunde; Reisebeschreibung; 1
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Bestell-Nr.: 30484 - gefunden im Sachgebiet: Orts- und Landeskunde
Anbieter: Antiquariat Ardelt, DE-01983 Großräschen

EUR 5,95
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Lieferzeit: 2 - 5 Werktage
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Flugblatt: Warum der Krieg für Deutschland verloren Ist.

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Flugblatt: Warum der Krieg für Deutschland verloren Ist. , 1943 Papier Sehr gut Text Deutsch, Englisches Kriegsflugblatt, intakt, vierseitig bedruckt, ca. 10,5 x 13 Cm, dreifarbig, stellt die Anzahl und Schwere der Luftangriffe 1940 - Mai 1943 auf England und Deutschland anhand eines Grafes dar.----- Aus dem Text:" Es ist kindlich, wenn Hitler ausruft: "Und ich kann Ihnen versichern: bei uns ist diesen Sommer gearbeitet worden! Als ob in Amerika, in Russland und im britischen Weltreich nicht gearbeitet würde. Im totalen Krieg gibt es keinen Spielraum mehr für rücksichtsloseren Einsatz, weil alle sowieso alles einsetzen.. Totale Mobilmachung ist ein Vorgang, der Jahre erfordert.. Während Deutschland sich drei Jahre lang verblutet hat, sind die ungeheuren unverbrauchten Kräfte Amerikas und des Britischen Weltreiches mobil gemacht worden.. England steht heute da, wo Deutschland im Winter 1939-40 stand." +++ A very rare sample of an airborne flyer (why is the war already lost for Germany) from the Second World War which aim was to demoralize the German people in order to stop the fightings. Excellent condition, no tears, no damages. --- Airborne leaflet propaganda is a form of psychological warfare in which leaflets (flyers) are scattered in the air. Military forces have used aircraft to drop leaflets to attempt to alter the behavior of combatants and civilians in enemy-controlled territory, sometimes in conjunction with air strikes. Humanitarian air missions, in cooperation with leaflet propaganda, can turn civilians against their leadership while preparing them for the arrival of enemy troops (from: Wikipedia). +++- 10,5 x 13 cm, .0,05 kg. +++ Stichwörter/Keywords: Flugblätter Flugschrift Flugschriften Propaganda Zweiter Weltkrieg Nationalsozialismus Alliierte Raritäten Rara Leaflet Pamphlet Bombenangriff
[SW: Flugblätter Flugschrift Flugschriften Propaganda Zweiter Weltkrieg Nationalsozialismus Alliierte Raritäten Rara Leaflet Pamphlet Bombenangriff]
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Bestell-Nr.: 018639 - gefunden im Sachgebiet: Ephemera
Anbieter: Antiquariat Clement, DE-53111 Bonn

EUR 35,00
 inkl. MwSt., zzgl. Versand: EUR 3,00
Lieferzeit: 3 - 5 Werktage
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Freedom. Anarchist Fortnightly Vol. 45 No. 1

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Freedom. Anarchist Fortnightly Vol. 45 No. 1 London: Freedom Press. 1984 Zeitungsformat. 8 S. Leicht angerändert, gefaltet. mit Abb.Antikbuch24-SchnellhilfeAbb. = Abbildung(en) Contents: The Arrival of 1984; Buckingham Blockade; Anarchists and Unions, Denmark, Lessons, David Markham, Bertrand Russell; The Left and the erotic; political prisoners...
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Bestell-Nr.: 34027 - gefunden im Sachgebiet: Soziale Bewegungen, APO, Linke
Anbieter: Antiquariat Eppler, DE-76229 Karlsruhe-Grötzingen
Besuche willkommen, nach telefonischer Absprache WIR FREUEN UNS JEDERZEIT ÜBER ANGEBOTE VON EINZELWERKEN UND BIBLIOTHEKEN Ankauf u. Übernahme von Sammlungen, Bibliotheken, Buchladen-Restbestände, Kunst, Ansichtskarten kurzum vieles aus Papier.

EUR 8,00
 inkl. MwSt., zzgl. Versand: EUR 2,90
Lieferzeit: 3 - 5 Werktage
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stiftung saarländischer kulturbesitz (hrsg) departure arrival. junge akademie in der stadtgalerie saarbrücken. heidelberg: kerber verlag. 2004 quer-oktav. farb. illustr. orig. Pappbd. sehr gutes exemplar. mit beiträgen v. monika beck, ralf christofori, hanns franken, stefan fricke, anne griffon-selle, carina herring, christina kubisch, angela lammert, marwan, hanns schimansky, michael schoenholtz u. ernest w. uthemann; durchgehend farbig bebildert, mit teils ganz- u. doppelseitigen abbildungen.
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Bestell-Nr.: 007823 - gefunden im Sachgebiet: kunst / kunstwissenschaft
Anbieter: alt-saarbrücker antiquariat, DE-66119 Saarbrücken

EUR 6,20
 inkl. MwSt., zzgl. Versand: EUR 3,00
Lieferzeit: 2 - 8 Werktage
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Flugblatt. Betr.: Behandlung deutscher Kriegsgefangener. Vielleicht haben auch diese daran geglaubt. HEUTE sind sie Kriegsgefangene. / Betr.: Deutschland nach dem Kriege. Aber Goebbels lügt weiter - Er wird so weiter lügen bis zum letzten Augenblick!

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Flugblatt. Betr.: Behandlung deutscher Kriegsgefangener. Vielleicht haben auch diese daran geglaubt. HEUTE sind sie Kriegsgefangene. / Betr.: Deutschland nach dem Kriege. Aber Goebbels lügt weiter - Er wird so weiter lügen bis zum letzten Augenblick! , 1943 Papier Tadellos Text Deutsch, Englisches Kriegsflugblatt, intakt, vierseitig bedruckt, ca. 13,5 x 21 Cm, dreifarbig, vorne unten rechts die Registraturnummer G. 4b, Propagandazettel der Alliierten, wahrscheinlich der Engländer an deutsche Soldaten nicht den Greuelmeldungen der Nazis von Behandlungen deutscher Soldaten durch die englische Truppen zu glauben. +++ A very rare sample of an airborne flyer (Anti-Hitler) from the Second World War which aim was originally to demoralize the German people in order to stop the fightings, in this case, the POW conditions of the german captured soldiers are shown as human and even comfortable, which was of course the contrary of Goebbels's propaganda, describing the "atrocities" that the POW were submitted to. Excellent condition, no tears, no damages. +++ Airborne leaflet propaganda is a form of psychological warfare in which leaflets (flyers) are scattered in the air. Military forces have used aircraft to drop leaflets to attempt to alter the behavior of combatants and civilians in enemy-controlled territory, sometimes in conjunction with air strikes. Humanitarian air missions, in cooperation with leaflet propaganda, can turn civilians against their leadership while preparing them for the arrival of enemy troops (from: Wikipedia). +++ 13,5 x 21 cm, 0,05 Kg +++ Stichwörter/Keywords: Propaganda-Flugblatt Flugblätter Flugschrift Flugschriften Propaganda Zweiter Weltkrieg Nationalsozialismus Alliierte Raritäten Rara Flugblatt Luftwaffen Bombenangriff 2nd world war
[SW: Propaganda-Flugblatt Flugblätter Flugschrift Flugschriften Propaganda Zweiter Weltkrieg Nationalsozialismus Alliierte Raritäten Rara Flugblatt Luftwaffen Bombenangriff 3nd world war]
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Bestell-Nr.: 018640 - gefunden im Sachgebiet: Nationalsozialismus
Anbieter: Antiquariat Clement, DE-53111 Bonn

EUR 35,00
 inkl. MwSt., zzgl. Versand: EUR 3,00
Lieferzeit: 3 - 5 Werktage
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Lucy Cousins Za-Za`s Baby Brother

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Lucy Cousins Za-Za`s Baby Brother Walker Books 2005 Broschur Za-Za, a little zebra, talks about her problems with her mother's new baby. The whole sibling displacement scenario is dramatized with big, simple gouache illustrations and thick black type. Mom's fat pregnant tummy doesn't leave much room on her lap for Za-Za. When the baby comes home from the hospital, everyone is too tired to give Za-Za much attention. Visitors come to coo over the new arrival, and Za-Za plays by herself. Then she begins to play with the baby. Finally, she gets the hugs and attention she craves from her parents. The large-size, brightly colored book will appeal to the small child, who will find reassurance in the realistic treatment of family jealousy and affection. n. pag.Antikbuch24-Schnellhilfepag. = paginiert (Seitennummerierung) 29,4 x 24,4 x 0,6 cm ISBN: 9780744570267
[SW: englischsprachiges Kinderbuch]
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Bestell-Nr.: BN16455 - gefunden im Sachgebiet: Englische Kinderbücher
Anbieter: Antiquariat UPP, DE-93161 Sinzing

EUR 10,65
 inkl. MwSt., zzgl. Versand: Auf Anfrage
Lieferzeit: 5 - 10 Werktage
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Gralow, Klaus-Dieter, Roger Pitann und Hans Thull: Die Ossis von Namibia. The Ossis of Namibia.

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DVD - Gralow, Klaus-Dieter, Roger Pitann und Hans Thull: Die Ossis von Namibia. The Ossis of Namibia. Rostock : Pitann Film+Grafik, (2011). DVD, Deutsch, English (subtitles), ca. 71 min, Region Code 0, Stereo, PAL 16:9 Neuware, original eingeschweisst. "Der Dokumentarfilm erzählt die spektakuläre Geschichte der sogenannten DDR-Kinder aus Namibia, die ihren Anfang mit massiven südafrikanischen Luftangriffen auf Flüchtlingslager der SWAPO im Süden Angolas nimmt. In deren Folge kamen 420 Kriegswaisen und Funktionärskinder von 1979 bis zur politischen Wende 1989 in die sozialistische DDR. 18 Jahre nach dem abrupten Ende ihrer Schulzeit erzählen die „Ossis", wie sie sich selber nennen, von ihrem erzwungenen Neuanfang in Namibia. Politiker, Lehrer und Pflegeeltern schildern einige der Hintergründe. Im Mittelpunkt für die „Ossis" steht bis heute die Frage nach ihrer wahren Heimat und nach ihren geistigen Wurzeln. Der Film fragt nach Träumen, Chancen und Eliten und findet ein völlig unerwartetes Erbe der DDR." ; "This film teils the personal story of the DDR-Kinder, Namibian children who were sent to East Germany for safety during the liberation struggfe. Rare archive footage illustrates their arrival in 1979 and life at an East German boarding school-up to the day they were forced to return to their African homeland. Politicians, teachers, and fester parents comment on the political background at that time. Today, the DDR-Kinder, who call themselves Ossis are trying to find their own identity between Africa and Europe, between a modern independent Namibia and a former communist East Germany which ended in 1990. They talk about themselves and the 11 years they lived in Europe, as well as their education äs future leaders, home country and families."
[SW: Namibia Südwestafrika]
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Bestell-Nr.: 29703 - gefunden im Sachgebiet: DVD Dokumentarfilme
Anbieter: Antiquariat Liberarius Frank Wechsler, DE-19230 Hagenow
- - - Bestellungen, die uns vom 23.07. bis 02.08. erreichen, können erst ab dem 02.08. bearbeitet werden - - -
Versandkostenfrei nach Deutschland (Land-/Seeweg) ab EUR 60,00 Bestellwert bei diesem Anbieter.

EUR 19,90
 inkl. MwSt., zzgl. Versand: EUR 2,80
Lieferzeit: 1 - 7 Werktage
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