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Maloney, Tom (Hrsg.) U. S. Camera. 5 BÃ¤nde Verlag: U. S. Camera Publishers Verlag: U. S. Camera Publishers - Enthalten: U. S. Camera 1948, Vol. 1: Great News Pictures - Vol. 2: Finest Photographs. Zusammen in einem Band / U. S. Camera Annual 1950. International Edition / U. S. Camera Annual 1951. American-International / U. S. Camera Annual 1952: 1. Arctic Sun In Color, 2. The Year's Best Pictures American-International, 3. The News In Pictures, 4. America Mobilizes / Pictures that talks... U. S. Camera 1959 / Text englisch - U. S. Camera Publishers, New York, 1948-1959. Insgesamt ca. 1800 S. mit zahlreichen Abbildungen, meist LeineneinbÃ¤nde mit Schutzumschlag/Kunstleder-Einband, quart, (UmschlÃ¤ge lÃ¤diert/1 Band Kanten bestoÃen/teils gering gebrÃ¤unt)
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Bestell-Nr.: 5d5808 - gefunden im Sachgebiet: Fotografie
Anbieter: Celler Versandantiquariat, DE-29358 Eicklingen
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Linklater, Eric: Karina with Love. With Photographs by Karl W. Gullers. Macmillan & Co, London, 1958. Nur der Umschlag mit leichten Gebrauchsspuren, sonst SEHR gutes Exemplar. Karl Werner Edmund Gullers (September 5, 1916 February 21, 1998),[1] was a Swedish press and commercial photographer, and also the model for Stieg Trenter`s crime novel Harry Friberg. Gullers established his photography business in 1938 under the name Studio Gullers and it was active until 1978. Early years Gullers was one of five children of Emil, a lawyer and farmer`s son from Rising, Östergötland (one of the founders of what is now the Swedish Liberal Party) and Anna Charlotta Gullers, a teacher. He grew up in Klara, the most central parish in Stockholm. He was brother of Arvid Gullers, and half-brother of Waldemar Gullers, Maj Amalia Gullers, Sigrid Augusta Järemo and Emil Ragnar Gullers. He frequently borrowed his brother`s camera and at the age of twelve his father bought him his own, a Kodak Brownie box camera. Three years later, in 1932, he began working for Anders Forsner, a leading photographer in Stockholm, who gave him his photographic education. He also photographed after hours, learning to use available light, which he continued to favour even for industrial photography. He was one of the founders of the blixthatarnas förening (flash-haters association`) for hard-core press photographers. At eighteen years old, he received a scholarship for a trip to England. The trip piqued his interest in photojournalism. Photography Returning to Sweden, Gullers started working with photographer Jan de Meyere, known for his distinctive high-key portraits, at Kungsgatan 19, the street where Gullers had his studio for twenty years. He also worked as aerial photographer at Aeromateriel AB for three summers producing photographs for the first book depicting Sweden from the air. In 1938 Gullers started its own company, Studio Gullers at St Eriksgatan in Stockholm which he operated for forty years. He later employed other photographers to assist with its burgeoning business; notably his son Peter Gullers who later became an architectural photographer and also published many books,[2] Bo Trenter (son of his friend Steig), and Georg Sessler and Björn Enström who both worked there for twenty five years. Assisting were Gullers` then wife Ingvor and Magda Persson, a skilled copyist, both recruited from Jan de Meyere`s studio. After few years at St. Eriksgatan, Studio Gullers moved into one of the 1906 Kungstorn tower blocks at Kungsgatan 30. Studio Gullers AB Gullers Production Ltd was also a book publisher. On September 1, 1939, Gullers was enlisted at Västerås in 1940 and later was deployed as a war photographer. There he befriended Stieg Trenter who based his novel Harry Friberg on the photographer. They remained close until Trenters` death in 1967, and the writer`s novels were used as the screenplays for a 1987 TV drama series in which the part of Harry Friberg was played by Örjan Ramberg; Träff i helfigur, Lysande landning, and Idag röd. In an accompanying TV Movie documentary Stieg Trenter - Ett porträtt, Gullers appeared as himself. Immediately after the war Gullers went to the US where he produced work for magazines and some industrial photography. Fascinated with the photo-books that started appearing in the US about that time, and meeting many of the photographers who had produced them, he returned to Stockholm inspired. He found a publisher for a picture-book on Stockholm which came out in 1946. In 1947 Ziff-Davis in Chicago also published one of his earliest books.[3] He started to spend about 200 days of the year travelling the world.[4] Recognition and contribution Betty Bjurström on the cover of SE, nr 13, 1941. Photographer: K.W. Gullers. During the years 1938-46, Gullers contributed pictures to a series of Swedish and foreign journals, including Picture Post, Illustrated, Se and Vi, and also wrote articles himself. Gullers had his first exhibition, "A bit of Sweden" in London in 1942. The pictures were primarily from his documentation of Sweden during the War and propaganda he produced for the government, but also of Swedish industry. In the spring of 1945 he made around 30 photographs in Malmö of the arrival and recovery of former concentration camp prisoners for Vi. The impact of his photographs influenced the Swedish aid effort.[5] In 1953, Gullers became chairman of Svenska Fotografers Förbund (SFF). Over four years as chairman he worked with, inter alia, Kerstin Bernhard and Karl Sandel on training standards and legal and pricing issues. He was succeeded by Curt Götlin. Gullers was also active in the Nordiska fotografförbundet (Nordic Photographic Association)[6] for fifteen years and was a founding member of Europhot (European Association for the Photographer).[7][8] He was included in Postwar European Photography, May 26 to 23 August 23, 1953, at the Museum of Modern Art. Gullers` representation of Swedish poverty, a Karelian grandmother embracing her granddaughter on a low bed, her bare feet resting on worn floorboards as she rocks a baby in a makeshift cradle, was seen by Edward Steichen. He selected it for the 1955 world-touring Museum of Modern Art exhibition The Family of Man seen by 9 million visitors.[9] From 1957 Gullers became one of the first Stockholm studios with its own Type C colour laboratory, for twelve years producing thousands of photographs a week, and for commissions from major Swedish companies ASEA, Astra, Fiskeby, Volvo, Svenska Metallverken, Stora, Kopparberg, Möln-lycke Väfveriakriebolag, amongst others,[10][4] exclusively using the Swedish medium-format Hasselblad camera. As a result his books were from then on exclusively in colour. He presented Swedish Industry in Colour, an exhibition that was part of the Sweden Comes to Britain 196162 campaign at the Federation of British Industries headquarters, in Tothill Street, London and colour printing of the 85 images was funded by the commissioning companies.[11][4] Gullers was the first Swedish photojournalist to have a solo exhibition in Sweden, at the gallery De Unga in Stockholm, following international exhibitions of his work held in London,[12] New York and Chicago, and elsewhere. In 1963, Studio Gullers celebrated its twenty-fifth birthday with a major exhibition at the Ealing Technical College March 1931,[13] and the book Made in Sweden. Legacy In 1990, the Nordic Museum purchased Guller`s collection of pictures from 1938-78. The collection consists of approximately 470,000 negatives, monochrome and colour, most in 6x6 format. There are also approximately 5,000 archival copies of size 24x30 cm and over 100,000 contact sheets. The collection also includes a negative ledger, a copy of the first editions of sixty-two book titles, press releases and two cameras; his Kodak Brownie and a Rolleiflex. Among subjects of his portraits are Charlie Chaplin (1945), Ingrid Bergman (1945), Ingrid Bergman and Alfred Hitchcock (1946), Gregory Peck (1945), Orson Welles (1952), John Steinbeck (1947), Bruno Mathsson (1951), Duke Ellington (1945), Royal Prince Bertel (1940s), Astrid Lindgren (1952), and Prince Carl XVI Gustaf (1952)[14] Personal life In 1937 Gullers married Ingvor Margareta Alberts (April 4, 1914 August 21, 2009). They had a son Peter (b.1938), two daughters Ingela Rudebeck Gullers (1949-1973), and Kristina Gullers (Levander). Gullers later married author Barbara Donnely. Exhibitions 1946: Jan 20Feb 3, Sweden: A Workshop of Democracy, American Swedish Historical Museum, solo show of fifty photographs.[15] 1948 solo show, De Unga Gallery, Stockholm[16] 1960 Swedish Industry in Colour during `Sweden Comes to Britain 196162` exposition at the Federation of British Industries headquarters, Tothill Street, London 1963 solo show at Ealing Technical College, London, March 1931. 1993 KW Gullers: Photo Memories, Mölndal museum 2013: Jan 16Aug 18 Folkhemmets kändisar (`Celebrity Photographs`), group exhibition from the collection, Nordiska Museet. 2013-2015: images included in travelling group exhibition Folkhemmets room, Nordiska Museet. Originalhalbleinen mit Originalumschlag 28cm Unpaginated. With dust jacket. Beige and red cloth. Contains black and white illustrations. Reprinted. ( First edition: 1958) Nur der Umschlag mit leichten Gebrauchsspuren, sonst SEHR gutes Exemplar. Karl Werner Edmund Gullers (September 5, 1916 February 21, 1998),[1] was a Swedish press and commercial photographer, and also the model for Stieg Trenter`s crime novel Harry Friberg. Gullers established his photography business in 1938 under the name Studio Gullers and it was active until 1978. Early years Gullers was one of five children of Emil, a lawyer and farmer`s son from Rising, Östergötland (one of the founders of what is now the Swedish Liberal Party) and Anna Charlotta Gullers, a teacher. He grew up in Klara, the most central parish in Stockholm. He was brother of Arvid Gullers, and half-brother of Waldemar Gullers, Maj Amalia Gullers, Sigrid Augusta Järemo and Emil Ragnar Gullers. He frequently borrowed his brother`s camera and at the age of twelve his father bought him his own, a Kodak Brownie box camera. Three years later, in 1932, he began working for Anders Forsner, a leading photographer in Stockholm, who gave him his photographic education. He also photographed after hours, learning to use available light, which he continued to favour even for industrial photography. He was one of the founders of the blixthatarnas förening (flash-haters association`) for hard-core press photographers. At eighteen years old, he received a scholarship for a trip to England. The trip piqued his interest in photojournalism. Photography Returning to Sweden, Gullers started working with photographer Jan de Meyere, known for his distinctive high-key portraits, at Kungsgatan 19, the street where Gullers had his studio for twenty years. He also worked as aerial photographer at Aeromateriel AB for three summers producing photographs for the first book depicting Sweden from the air. In 1938 Gullers started its own company, Studio Gullers at St Eriksgatan in Stockholm which he operated for forty years. He later employed other photographers to assist with its burgeoning business; notably his son Peter Gullers who later became an architectural photographer and also published many books,[2] Bo Trenter (son of his friend Steig), and Georg Sessler and Björn Enström who both worked there for twenty five years. Assisting were Gullers` then wife Ingvor and Magda Persson, a skilled copyist, both recruited from Jan de Meyere`s studio. After few years at St. Eriksgatan, Studio Gullers moved into one of the 1906 Kungstorn tower blocks at Kungsgatan 30. Studio Gullers AB Gullers Production Ltd was also a book publisher. On September 1, 1939, Gullers was enlisted at Västerås in 1940 and later was deployed as a war photographer. There he befriended Stieg Trenter who based his novel Harry Friberg on the photographer. They remained close until Trenters` death in 1967, and the writer`s novels were used as the screenplays for a 1987 TV drama series in which the part of Harry Friberg was played by Örjan Ramberg; Träff i helfigur, Lysande landning, and Idag röd. In an accompanying TV Movie documentary Stieg Trenter - Ett porträtt, Gullers appeared as himself. Immediately after the war Gullers went to the US where he produced work for magazines and some industrial photography. Fascinated with the photo-books that started appearing in the US about that time, and meeting many of the photographers who had produced them, he returned to Stockholm inspired. He found a publisher for a picture-book on Stockholm which came out in 1946. In 1947 Ziff-Davis in Chicago also published one of his earliest books.[3] He started to spend about 200 days of the year travelling the world.[4] Recognition and contribution Betty Bjurström on the cover of SE, nr 13, 1941. Photographer: K.W. Gullers. During the years 1938-46, Gullers contributed pictures to a series of Swedish and foreign journals, including Picture Post, Illustrated, Se and Vi, and also wrote articles himself. Gullers had his first exhibition, "A bit of Sweden" in London in 1942. The pictures were primarily from his documentation of Sweden during the War and propaganda he produced for the government, but also of Swedish industry. In the spring of 1945 he made around 30 photographs in Malmö of the arrival and recovery of former concentration camp prisoners for Vi. The impact of his photographs influenced the Swedish aid effort.[5] In 1953, Gullers became chairman of Svenska Fotografers Förbund (SFF). Over four years as chairman he worked with, inter alia, Kerstin Bernhard and Karl Sandel on training standards and legal and pricing issues. He was succeeded by Curt Götlin. Gullers was also active in the Nordiska fotografförbundet (Nordic Photographic Association)[6] for fifteen years and was a founding member of Europhot (European Association for the Photographer).[7][8] He was included in Postwar European Photography, May 26 to 23 August 23, 1953, at the Museum of Modern Art. Gullers` representation of Swedish poverty, a Karelian grandmother embracing her granddaughter on a low bed, her bare feet resting on worn floorboards as she rocks a baby in a makeshift cradle, was seen by Edward Steichen. He selected it for the 1955 world-touring Museum of Modern Art exhibition The Family of Man seen by 9 million visitors.[9] From 1957 Gullers became one of the first Stockholm studios with its own Type C colour laboratory, for twelve years producing thousands of photographs a week, and for commissions from major Swedish companies ASEA, Astra, Fiskeby, Volvo, Svenska Metallverken, Stora, Kopparberg, Möln-lycke Väfveriakriebolag, amongst others,[10][4] exclusively using the Swedish medium-format Hasselblad camera. As a result his books were from then on exclusively in colour. He presented Swedish Industry in Colour, an exhibition that was part of the Sweden Comes to Britain 196162 campaign at the Federation of British Industries headquarters, in Tothill Street, London and colour printing of the 85 images was funded by the commissioning companies.[11][4] Gullers was the first Swedish photojournalist to have a solo exhibition in Sweden, at the gallery De Unga in Stockholm, following international exhibitions of his work held in London,[12] New York and Chicago, and elsewhere. In 1963, Studio Gullers celebrated its twenty-fifth birthday with a major exhibition at the Ealing Technical College March 1931,[13] and the book Made in Sweden. Legacy In 1990, the Nordic Museum purchased Guller`s collection of pictures from 1938-78. The collection consists of approximately 470,000 negatives, monochrome and colour, most in 6x6 format. There are also approximately 5,000 archival copies of size 24x30 cm and over 100,000 contact sheets. The collection also includes a negative ledger, a copy of the first editions of sixty-two book titles, press releases and two cameras; his Kodak Brownie and a Rolleiflex. Among subjects of his portraits are Charlie Chaplin (1945), Ingrid Bergman (1945), Ingrid Bergman and Alfred Hitchcock (1946), Gregory Peck (1945), Orson Welles (1952), John Steinbeck (1947), Bruno Mathsson (1951), Duke Ellington (1945), Royal Prince Bertel (1940s), Astrid Lindgren (1952), and Prince Carl XVI Gustaf (1952)[14] Personal life In 1937 Gullers married Ingvor Margareta Alberts (April 4, 1914 August 21, 2009). They had a son Peter (b.1938), two daughters Ingela Rudebeck Gullers (1949-1973), and Kristina Gullers (Levander). Gullers later married author Barbara Donnely. Exhibitions 1946: Jan 20Feb 3, Sweden: A Workshop of Democracy, American Swedish Historical Museum, solo show of fifty photographs.[15] 1948 solo show, De Unga Gallery, Stockholm[16] 1960 Swedish Industry in Colour during `Sweden Comes to Britain 196162` exposition at the Federation of British Industries headquarters, Tothill Street, London 1963 solo show at Ealing Technical College, London, March 1931. 1993 KW Gullers: Photo Memories, Mölndal museum 2013: Jan 16Aug 18 Folkhemmets kändisar (`Celebrity Photographs`), group exhibition from the collection, Nordiska Museet. 2013-2015: images included in travelling group exhibition Folkhemmets room, Nordiska Museet.
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Bestell-Nr.: 304488 - gefunden im Sachgebiet: Photographie
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
Konto in der Schweiz vorhanden - Zahlung über PayPal möglich auf folgende Email: strassberger@email.de

EUR 24,00
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Beer, Heinz; 80 Jahre Camera und Automobil

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Beer, Heinz; 80 Jahre Camera und Automobil Viersen, Rhld., Terhag-Verlag, 1963. ca. 250 Seiten , 29 cm, Leinen die Sieten und der Umschlag sind fleckig, die Umschlagkanten sind bestoßen, Die artgenössische Literatur brachte vorzugsweise zu den Themen Automobil und Camera in sich isolierte Abhandlungen, die sich meist an bestimmte Biographien, Firmen- oder Modell-Geschichten anlehnten und damit einen bedingt engen Rahmen füllten. Diese illustrierte Darstellung bedient sich des Bildes, der Photographie, als vorrangige Ausdrucksform, so daß durchaus die Verbindung zweier wenig verwandter Begriffe, wie Camera und Automobil, dann sinnvoll wird, wenn das Bild im Vordergrund steht. In diesem Wahlverhältnis nehmen Camera und Automobil einen gleichwertigen Platz ein, da sie gemeinsam eine überzeugende Zeitskizze der vergangenen achtzig Jahre produzieren. So war wohl der Beginn dieses Buches ein Experiment-seine Fortführung und Vollendung jedoch die Bestätigung für diese scheinbar fremde und doch so sinnvolle Verbindung dieser Themen. (aus dem Buch) 1n1a 80 Jahre Camera und Automobil; Firmengeschichte; Auto; Autogeschichte; Heinz Beer; Biografie; Technik; 1
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Bestell-Nr.: 25622 - gefunden im Sachgebiet: Auto, Motorrad
Anbieter: Antiquariat Ardelt, DE-01983 Großräschen

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AEKU KK1 Kopfhörer Handy (bluetooth headset, handy) : ohne SIM-Card : anbieterfrei : spezifikation siehe Beschreibung : voll funktionsfähiges Handy in Form eines Headsets : SIM Card einsetzen und telefonieren : Achtung : Hersteller AEKU : Model KK1 Original AEKU KK1 mini Kopfhörer Handy, Niedrige Strahlung, Freisprecheinrichtung, Bluetooth Dialer Model KK1 Hersteller AEKU

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Handy : - AEKU KK1 : AEKU KK1 Kopfhörer Handy (bluetooth headset, handy) : ohne SIM-Card : anbieterfrei : spezifikation siehe Beschreibung : voll funktionsfähiges Handy in Form eines Headsets : SIM Card einsetzen und telefonieren : Achtung : Hersteller AEKU : Model KK1 Original AEKU KK1 mini Kopfhörer Handy, Niedrige Strahlung, Freisprecheinrichtung, Bluetooth Dialer Model KK1 Hersteller AEKU AEKU release date 2017. Item specifics " Brand Name: AEKU " ROM: <2G " RAM: <128M " CPU: Single Core " Design: Bar " Item Condition: New " Operation System: No Smartphone " Cellular: GSM " Feature: FM Radio,MP3 Playback,QWERTY Keyboard,bluetooth,Dustproof,Message " CPU Manufacturer: MTK " Display Color: Black / White " Language: English,Russian,German,French,Spanish,Polish,Portuguese,Italian,Turkish " Battery Capacity(mAh): 330mAh " SIM Card Quantity: Single SIM Card " Rear Camera: No Camera " Talk Time: Depend on actual use " Size: 72mm*21mm*10mm " Band Mode: 1SIM/Single-Band " Camera Type: NO Camera " Release Date: 2017 " Battery Type: Not Detachable " Touch Screen Type: Not Touch Screen " Google Play: No " Unlock Phones: Yes " Front Camera: Other " other language: Arabic,Hebrew,Czech,Greek,Bulgarian " bt distance: Within 10M " screen: 0.66 " chipset: MTK6261DA " gsm: 850/900/1800/1900MHz " bluetooth version: BT3.0 Specifications: Model: KK1 GSM Network: 850/900/1800/1900MHz Chipset: MTK6261DA Memory: 32MB+32MB Screen: 0.66 Inch OLED Standby Time: 96H Talk Time: 3H BT Version: BT3.0 BT Distance: 10M Phonebook Number: 200 SMS Number: 100 Language: Multi-language Battery: 330mAh Product Weight: 20g Package Weight: 100g Product Size: 72mm*21mm*10mm Package Size: 130mm*70mm*30mm Color: Black/White/Golden/Multi(Black+White) Languges English,French,Spanish,Portuguese,Italian,German,Dutch,Russian,Polish,Czech, Greek,Bulgarian,Turkish,Hebrew,Arabic Package 1*Phone 1*USB Cable 1*English Manual 1*Earplugs 1*Ear hanging 1*Stent 1*Pin 1*SIM Card Cover 1*Scrubbing 1*Package Bitte beachten Sie, dass es sich um gebrauchte Bücher handelt. Bei den Preisen haben wir den Zustand des Buches berücksichtigt.
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Bestell-Nr.: 67289 - gefunden im Sachgebiet: Wissenschaft
Anbieter: Büchersuchdienst Theologica, DE-78234 Engen
Ein Bankkonto für Kunden in der Schweiz ist vorhanden.

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CAMERA OBSCURA - DEUTSCHE GESCHICHTE, GEOGRAPHIE & REISEN, BILDBAND div. Autoren: Camera Obscura Mehr als ein Augeblick eine Bilder-Reise durch Schleswig-Holstein Neumünster Karl Wachholtz Vlg, 2000. 87 Seiten gebundene Ausgabe, Hardcover/Pappeinband gebundener Bildband Mehr als ein Augeblick eine Bilder-Reise durch Schleswig-Holstein, div. enthalten entstand mit einer Camera Obscura. Einband minimal berieben, sonst Zustand sehr gut, Maße 25,5 cm x 21 cm 87 Seiten gebundene Ausgabe, Hardcover/Pappeinband gebundener Bildband Mehr als ein Augeblick eine Bilder-Reise durch Schleswig-Holstein, div. enthalten entstand mit einer Camera Obscura. Einband minimal berieben, sonst Zustand sehr gut, Maße 25,5 cm x 21 cm
[SW: CAMERA OBSCURA - DEUTSCHE GESCHICHTE, GEOGRAPHIE & REISEN, BILDBAND]
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Bestell-Nr.: 32261 - gefunden im Sachgebiet: Bildbände/Fotografie
Anbieter: Antiquariat Rohde, DE-21039 Hamburg

EUR 25,00
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Maloney, Tom (Hrsg.) U.S. Camera International Pictures 1966 / 1967. Zusammen 2 BÃ¤nde Verlag: U.S. Camera Publishing Corp. Verlag: U.S. Camera Publishing Corp. - sonst gute Exemplare / good condition / Text englisch - U.S. Camera Publishing Corp., New York, 1966/1967. Je Band 208 S. mit zahlreichen Abbildungen, kartonierte EinbÃ¤nde, quart, (ein Einband mit kleiner Eckknickspur)
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Bestell-Nr.: 5d4088 - gefunden im Sachgebiet: Fotografie
Anbieter: Celler Versandantiquariat, DE-29358 Eicklingen
Bei Problemen in Zusammenhang mit einer Bestellung erreichen Sie uns am besten über unsere E-Mail-Adresse: Celler.Versandantiquariat@t-online.de Die Europäische Kommission stellt eine Plattform zur Online-Streitbeilegung (OS) bereit.

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ALI PER ADDEPOS, ALICE, AIDS, HIV, BILDAND, KUNST, KULUR, HASSELBLAD CAMERA, SELTEN, BILDBAND, KIND, Engelmajer: Ali per Addepos, Engelmaier,, 1994. gebundener Bildband / Ausstellungskatalog in 4 Sprachen, This work has been published to the benefit of the Association for the Rights and duties of HIV infected persons and AIDS Victims created by Lucien J. Engelmajer, Aufnahmen mit einer Hasselblad Camera, seltene Ausgabe, Einband berieben, Schnitt nachgedunkelt, sonst gut erhaltenes Sammlerstück, Maße 27 x 27 cm Sprache: en gebundene Ausgabe, Softcover/Paperback o. a. gebundener Bildband / Ausstellungskatalog in 4 Sprachen, This work has been published to the benefit of the Association for the Rights and duties of HIV infected persons and AIDS Victims created by Lucien J. Engelmajer, Aufnahmen mit einer Hasselblad Camera, seltene Ausgabe, Einband berieben, Schnitt nachgedunkelt, sonst gut erhaltenes Sammlerstück, Maße 27 x 27 cm Sprache: en gebundene Ausgabe, Softcover/Paperback
[SW: ALI PER ADDEPOS, ALICE, AIDS, HIV, BILDAND, KUNST, KULUR, HASSELBLAD CAMERA, SELTEN, BILDBAND, KIND, KUNST/KÜNSTLER]
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Bestell-Nr.: 32723 - gefunden im Sachgebiet: Bildbände/Fotografie
Anbieter: Antiquariat Rohde, DE-21039 Hamburg

EUR 30,00
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Maloney, Tom (Hrsg.) U.S. Camera International Pictures 1963 / 1968 / 1969. Zusammen 3 BÃ¤nde Verlag: U.S. Camera Publishing Corp. Verlag: U.S. Camera Publishing Corp. - sonst gute Exemplare / good condition / Dazu: Photography Annual 1969. A selection of the world's finest photographs compiled by the Editors of "Popular Photography", (ohne deutsche Ãbersetzung) / Text englisch - U.S. Camera Publishing Corp., New York, 1963/1968/1969. Je Band 208 S. mit zahlreichen Abbildungen, kartonierte EinbÃ¤nde, quart, (EinbÃ¤nde teils gering gebrÃ¤unt/Einbandkanten teils gering berieben)
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Bestell-Nr.: 5d4028 - gefunden im Sachgebiet: Fotografie
Anbieter: Celler Versandantiquariat, DE-29358 Eicklingen
Bei Problemen in Zusammenhang mit einer Bestellung erreichen Sie uns am besten über unsere E-Mail-Adresse: Celler.Versandantiquariat@t-online.de Die Europäische Kommission stellt eine Plattform zur Online-Streitbeilegung (OS) bereit.

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Minolta Mirror An International Magazine of Photography, 1981 Verlag: Minolta Camera Co., Ltd. Verlag: Minolta Camera Co., Ltd. - gutes Exemplar / good condition / Text englisch - Minolta Camera Co., Ltd., Japan, 1981. 128 S. mit zahlreichen, teils ganzseitigen Abbildungen, kartoniert, quart
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Bestell-Nr.: 5h2722 - gefunden im Sachgebiet: Fotografie
Anbieter: Celler Versandantiquariat, DE-29358 Eicklingen
Bei Problemen in Zusammenhang mit einer Bestellung erreichen Sie uns am besten über unsere E-Mail-Adresse: Celler.Versandantiquariat@t-online.de Die Europäische Kommission stellt eine Plattform zur Online-Streitbeilegung (OS) bereit.

EUR 10,00
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Camera Austria - Zeitschrift fÃ¼r Fotografie / International 40 BÃ¤nde in 32 BÃ¤nden Verlag: Akademische Druck- u. Verlagsanstalt - Manfred Willmann Verlag: Akademische Druck- u. Verlagsanstalt - Manfred Willmann - sonst gute Exemplare / Enthalten: Camera Austria - Zeitschrift fÃ¼r Fotografie, Band 13/83, 84 / Band 14/84 / Band 15-16/84 / Band 17/85 / Band 18/85 / Band 21/86 / Band 23/87 / Band 24/87 / Band 27/88 / Band 31-32/1990 / Camera Austria - International, Band 36/1991 / Band 38/1991-1992 / Band 41/1992 / Band 42/1993 / Band 43-44/1993 / Band 45/1993 / Band 46/1994 / Band 47-48/1994 / Band 49/1994 / Band 50/1995 / Band 51-52/1995 / Band 53/1995 / Band 54/1996 / Band 55/1996 / Band 56/1996 / Band 57-58/1997 / Band 59-60/1997 / Band 61/1998 / Band 62-63/1998 / Band 64/1998 / Band 65/1999 / Band 71/2000 - Akademische Druck- u. Verlagsanstalt - Manfred Willmann, Graz, 1984-2000. Insgesamt ca. 3100 S. mit vielen Abbildungen, kartonierte EinbÃ¤nde, quart, (teils geringe Gebrauchsspuren)
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Bestell-Nr.: 5c6822 - gefunden im Sachgebiet: Fotografie
Anbieter: Celler Versandantiquariat, DE-29358 Eicklingen
Bei Problemen in Zusammenhang mit einer Bestellung erreichen Sie uns am besten über unsere E-Mail-Adresse: Celler.Versandantiquariat@t-online.de Die Europäische Kommission stellt eine Plattform zur Online-Streitbeilegung (OS) bereit.

EUR 200,00
inkl. MwSt., zzgl. Versand: EUR 5,90
Lieferzeit: 1 - 3 Werktage
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EUR 5,00
inkl. MwSt., zzgl. Versand: EUR 3,00
Lieferzeit: 3 - 7 Werktage
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EUR 20,00
inkl. MwSt., zzgl. Versand: EUR 4,00
Lieferzeit: 1 - 5 Werktage
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EUR 8,40
inkl. MwSt., zzgl. Versand: Auf Anfrage
Lieferzeit: 5 - 10 Werktage
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Vögel vor der Kamera.

Zum Vergrößern Bild anklicken

a Naturwissenschaften Verbruggen, Marcel und Erwin Berger: Vögel vor der Kamera. Stuttgart : Franckh, 1961. [Berecht. Übers. aus d. Fläm. u. Bearb. von Erwin Berger] Vogels voor de camera; SU mit Einriß, - sonst gut , Lw. mit 207 S., 1 Titelbild : Mit 111 ; [1. - 6. Tsd.] Vogels voor de camera; SU mit Einriß, - sonst gut
[SW: a Naturwissenschaften]
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Bestell-Nr.: 44244 - gefunden im Sachgebiet: Foto und Film
Anbieter: Antiquariat Bläschke, DE-64283 Darmstadt
Versandkostenfrei nach Deutschland (Land-/Seeweg) ab EUR 150,00 Bestellwert bei diesem Anbieter.

EUR 7,50
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