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Religion - Gardiner, Gordon P. : Strahlende Herrlichkeit (deutsche Ausgabe, deutsche Sprache) : Leben und Dienst von Martha Wing Robinson : NEUBUCH (in Folie) - Verlags Restbestand : erste Auflage : Hamburg, Schriftenmission SIEG DES KREUZES : 1982. 415 Seiten, Illustrationen : deutsche Sprache : 8 Octav, kart.Antikbuch24-Schnellhilfekart. = kartoniert, Softcover/Paperback : Neubuch (in Folie) : ISBN: 9783928303040 Martha Abigail Wing was born in Sand Spring, Iowa on November 14, 1874. Martha excelled in school and was constantly exposed to Christian teaching through Bible reading and Sunday School. She was converted during a revival service led by J.G and J.W. Foote in 1886. In 1890 she moved to Canada to stay with her aunt and uncle, so she could receive furthur education. Her uncle was a Methodist minister. One day in 1892 he spoke to her and told her "the Lord wants you to live and work just for Himself." This call took Martha aback. She had plans to be a writer. She left her uncle's family in July to return home. For the next six years she struggled against the call in her life. She took a teaching job, but in the winter of 1895 became ill and was forced to give it up. She saw doctors, took medicine, went to other climates where family lived but still did not get better. She had stomach, liver, and kidney trouble, her joints would swell, she had severe headaches and at times she would have attacks where her entire body would grow stiff and she could not move. She was in a state of physical and mental exhaustion. The entire time she struggled with her uncles word to live and work for God alone. When she was 23 she was hospitalized for three months. There she drifted from God almost totally. In 1898 she saw a celestial sign in the heavens. She knew at that point that there must be a God and set out to pursue him. She prayed 18 hours a day for a month. One night at midnight she was awoken and it seemed that the heavens opened above her and the Holy Spirit revealed the existence of God in a way that she would never question again. From that point on she committed "to serve Him even if she awoke in hell." She was close to death but committed to pray every waking hour. She struggled with her illness trying to glorify God. One night however, in frustration she cried out "Father heal me, heal me and let me live for Thy service. I know that it cannot be Thy will that I should drag out my life a useless burden to myself and everyone else. It is all nonsense for me to try to make myself believe I can glorify Thee in my miserable sickness. Give me health and let me work in Thy Vineyard - and atone for my years of idleness." She was healed for a time, but within weeks the symptoms began to return. A friend of the family was healed through John Alexander Dowie in Chicago. Martha began to study the Word and found out that God did heal. She had Dowie pray for her, in abstentia, twice but did not improve. Still she pressed into God. In February and again in March 1899 she and her sister were praying and the presence of God rolled over her. She was partially healed. She kept on pressing into God and went to Zion House in Chicago. She stayed two months and came to the understanding that she needed to know th Healer more than the healing. She was completely healed before she left Chicago to return home to Davenport. She went home and gave her testimony. She began getting requests for prayer. God led her to work for a company where she led her employer to Christ. He allowed her to leave work at any time to pray for the sick. One call was for a woman who died before she arrived. Upon entering the room Martha laid hands on the woman and she sat up. Her healing ministry was so successful that Dr. Dowie had her ordained as a minister on May 24, 1901. One day she prayed for a woman who had a stroke and was paralyzed. The woman got up and walked fourteen blocks and home again. The woman was also healed of rheumatism and heart disease. Dowie, seeing her success asked her to come to Chicago to help with the move to Zion. In November 1901 Martha moved to Zion and worked for the Lace factory manager. There she met, and eventually married in 1905, Henry Walker Robinson. This was a season when God pulled her back from ministry and began to deal with her character. Henry and Martha moved to Detroit to work as ministers. Martha returned for a visit in 1906 just in time to attend meetings led by Charles Parham on the infilling of the Holy Spirit. She and her husband sought God on this and both had experiences of the Baptism of the Holy Spirit. God eventually called the couple to Toronto, Canada and then back to Zion, Illinois. Many of the people in Zion had been crushed when the town collapsed financially and spiritually. Martha held meetings which touched people to return to the work of the service of God. The Robinsons opened a "Faith Home" where people would come for teaching and prayer. Like George Muller they depended on God to provide what was needed for expenses. Thousands came through her home and healings were a regular occurrence. Her husband died in April of 1916, but Martha continued in her ministry. She had a very sharp gift of discernment and regularly told people the secrets of their hearts. She often had directive prophetic words for those under her care. Many young people came to the home for training and went into the mission fields and evangelistic endeavors. Martha Wing Robinson died June 26, 1936. Shortly before she died she stated her life's message "Nothing matters but Christ Jesus." Her whole life was spent in the service of God and for the Glory of His Son Jesus. She had seen many healed, saved, delivered, empowered and sent out. She was truly a mother in Israel. In 1962 Gordon P. Gardiner wrote a book about her life called "Radiant Glory" because that is how she lived her life. (The picture above is taken from "Radiant Glory.") (quelle:healingandrevial) : gerne senden wir Ihnen weitere Fotos und Informationen : der Gesamteindruck dieses Buches ist NEUWERTIG - Buch ist in Deutscher Sprache 392830304X Bitte beachten Sie, dass es sich um gebrauchte Bücher handelt. Bei den Preisen haben wir den Zustand des Buches berücksichtigt.
[SW: Biographien, Lebensbilder, Gemeindebewegungen, Theologie allgemein, Kirche, Evangelisch, Katholisch, methodisten, freie Christen, junge Christen, Religion, Gott, Reformation, Luther, Papst, Geschichte, Kirchengeschichte, Studium, Bibelkunde, Bibelstudium, Glaube]
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Bestell-Nr.: 7260 - gefunden im Sachgebiet: Biographien, Lebensbilder, Gemeindebewegungen
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Dr. Goldsmith`s Geschichte der Römer von Erbauung der Stadt Rom bis auf den Untergang des abendländischen Kaiserthums.

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Oliver Goldsmith, Weströmisches reich, römische Geschichte, römsche Republik, Kaiserzeit; Antike 18 Kosegarten, Ludwig Theobul: Dr. Goldsmith`s Geschichte der Römer von Erbauung der Stadt Rom bis auf den Untergang des abendländischen Kaiserthums. Leipzig, Weidmann, 1792. Aus dem Englischen nach der sechsten Ausgabe neu übersetzt und mit einer Geschichte des Oströmischen Kaiserthums ergänzt. Erster und zweiter Band. ZWEI (2) Bände in EINEM Band. Einband fleckig, stärker berieben und bestoßen. Bindung hinten gelockert. Durchgehend recht stockfleckig, teils etwas wasserrandig. Papierbedingt etwas gebräunt. Sonst doch noch gutes Exemplar der ZWEI Bände in einem Band. - Goldsmith published his Roman History in 1769, and it proved to be one of his most popular publications and was adapted for use in schools. Tobias Smollett reviewed it in The Critical Review: "This performance is seasonable, and well executed. Though the author n his preface modestly calls it, a compilation rather than a work, yet we hazard nothing in recommending it as an excellent and elegant digest of the Roman History." Thousands of readers agreed withDie Geschichten der Römer von Romulus bis auf die letzten der Constantine. Band 1: Von Gründung der Stadt bis auf den Untergang der Freyheit, Band 2: Vom Untergange der Freyheit bis zur Auflösung des Weströmischen Reiches. - Goldsmith published his Roman History in 1769, and it proved to be one of his most popular publications and was adapted for use in schools. Tobias Smollett reviewed it in The Critical Review: "This performance is seasonable, and well executed. Though the author n his preface modestly calls it, a compilation rather than a work, yet we hazard nothing in recommending it as an excellent and elegant digest of the Roman History." Thousands of readers agreed with Smollett and the work, or versions of it, were in print for the next sixty years. NCBEL gives 1792 - 1795 as the date of the first German edition, but Weidmann und Reich in Leipzig published a translation in 1774. Schlichter Pappband der Zeit. Reihentitel, Titel, 14 Blätter, 416; 432 Seiten. 20 cm. Einband fleckig, stärker berieben und bestoßen. Bindung hinten gelockert. Durchgehend recht stockfleckig, teils etwas wasserrandig. Papierbedingt etwas gebräunt. Sonst doch noch gutes Exemplar der ZWEI Bände in einem Band. - Goldsmith published his Roman History in 1769, and it proved to be one of his most popular publications and was adapted for use in schools. Tobias Smollett reviewed it in The Critical Review: "This performance is seasonable, and well executed. Though the author n his preface modestly calls it, a compilation rather than a work, yet we hazard nothing in recommending it as an excellent and elegant digest of the Roman History." Thousands of readers agreed withDie Geschichten der Römer von Romulus bis auf die letzten der Constantine. Band 1: Von Gründung der Stadt bis auf den Untergang der Freyheit, Band 2: Vom Untergange der Freyheit bis zur Auflösung des Weströmischen Reiches. - Goldsmith published his Roman History in 1769, and it proved to be one of his most popular publications and was adapted for use in schools. Tobias Smollett reviewed it in The Critical Review: "This performance is seasonable, and well executed. Though the author n his preface modestly calls it, a compilation rather than a work, yet we hazard nothing in recommending it as an excellent and elegant digest of the Roman History." Thousands of readers agreed with Smollett and the work, or versions of it, were in print for the next sixty years. NCBEL gives 1792 - 1795 as the date of the first German edition, but Weidmann und Reich in Leipzig published a translation in 1774.
[SW: Oliver Goldsmith, Weströmisches reich, römische Geschichte, römsche Republik, Kaiserzeit; Antike 18. Jahrhundert deutsche Ausgabe]
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Bestell-Nr.: 188437 - gefunden im Sachgebiet: Antike Geschichte
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 45,00
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Victor Horta.

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Biographie, Leben, Werk, Architektur, Achitekt Dernie, David and Alastair Carew-Cox: Victor Horta. London, Academy Group, 1995. Nur die vordere untere Umschlagecke mit winzigem unterlegtem Einriss-chen . Sonst aber FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. ( very good copy)- U.a. Themes from the work of Victor Horta. Paris Dawn. Belgian Avant-Garde. Dream Rooms. The Endless Line. The buildings 1889-1923. Maison du Peuple. Maison and Atelier Horta. Hotel Max HAllet. Villa Dubois..... Chronology. Map. Bibliography. INDEX. - "The collection of photographs, drawings and text brought together in this monograph represents the most significant contribution to studies on Victor Horta in recent years. David Dernie and Alastair Carew-Cox present much new material and a fresh insight into the work of this most influential architect of late nineteenth-century Europe. Their intention has not been to provide an encyclopaedic coverage of Horta`s work, but to illuminate the themes, conflicts and inspirations which lie behind his most important buildings. In a series of essays David Dernie examines Horta`s training and formative years in Paris and Brussels: the influence of Viollet-le-Duc, Alphonse Balat, and most importantly the new avant-garde movements and the dominant Symbolist aesthetic in Belgian art and literature which were powerfully synthesised in the annual exhibitions of Les XX. Having thus provided a basis of the interpretation of Horta`s oeuvre, the richly illustrated second section of the book presents the key buildings of his Art Nouveau period, from 1889 to 1923, including the Hotels Tassel and Van Eetvelde, and the Maison and Atelier Horta. The book has the full support of the Musee Horta in Brussels and almost all of the images are unpublished elsewhere, making this collection an invaluable source." Originalpappband mit Original-Schutzumschlag. 29 cm 224 Seiten. Mit zahlreichen farbigen Abbildungen. First published Nur die vordere untere Umschlagecke mit winzigem unterlegtem Einriss-chen . Sonst aber FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. ( very good copy)- U.a. Themes from the work of Victor Horta. Paris Dawn. Belgian Avant-Garde. Dream Rooms. The Endless Line. The buildings 1889-1923. Maison du Peuple. Maison and Atelier Horta. Hotel Max HAllet. Villa Dubois..... Chronology. Map. Bibliography. INDEX. - "The collection of photographs, drawings and text brought together in this monograph represents the most significant contribution to studies on Victor Horta in recent years. David Dernie and Alastair Carew-Cox present much new material and a fresh insight into the work of this most influential architect of late nineteenth-century Europe. Their intention has not been to provide an encyclopaedic coverage of Horta`s work, but to illuminate the themes, conflicts and inspirations which lie behind his most important buildings. In a series of essays David Dernie examines Horta`s training and formative years in Paris and Brussels: the influence of Viollet-le-Duc, Alphonse Balat, and most importantly the new avant-garde movements and the dominant Symbolist aesthetic in Belgian art and literature which were powerfully synthesised in the annual exhibitions of Les XX. Having thus provided a basis of the interpretation of Horta`s oeuvre, the richly illustrated second section of the book presents the key buildings of his Art Nouveau period, from 1889 to 1923, including the Hotels Tassel and Van Eetvelde, and the Maison and Atelier Horta. The book has the full support of the Musee Horta in Brussels and almost all of the images are unpublished elsewhere, making this collection an invaluable source."
[SW: Biographie, Leben, Werk, Architektur, Achitekt]
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Bestell-Nr.: 229136 - gefunden im Sachgebiet: Architektur / Städtebau / Architekturgeschichte / Bauwesen
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 68,00
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Linklater, Eric: Karina with Love. With Photographs by Karl W. Gullers. Macmillan & Co, London, 1958. Nur der Umschlag mit leichten Gebrauchsspuren, sonst SEHR gutes Exemplar. Karl Werner Edmund Gullers (September 5, 1916 – February 21, 1998),[1] was a Swedish press and commercial photographer, and also the model for Stieg Trenter`s crime novel Harry Friberg. Gullers established his photography business in 1938 under the name Studio Gullers and it was active until 1978. Early years Gullers was one of five children of Emil, a lawyer and farmer`s son from Rising, Östergötland (one of the founders of what is now the Swedish Liberal Party) and Anna Charlotta Gullers, a teacher. He grew up in Klara, the most central parish in Stockholm. He was brother of Arvid Gullers, and half-brother of Waldemar Gullers, Maj Amalia Gullers, Sigrid Augusta Järemo and Emil Ragnar Gullers. He frequently borrowed his brother`s camera and at the age of twelve his father bought him his own, a Kodak Brownie box camera. Three years later, in 1932, he began working for Anders Forsner, a leading photographer in Stockholm, who gave him his photographic education. He also photographed after hours, learning to use available light, which he continued to favour even for industrial photography. He was one of the founders of the blixthatarnas förening (‘flash-haters association`) for hard-core press photographers. At eighteen years old, he received a scholarship for a trip to England. The trip piqued his interest in photojournalism. Photography Returning to Sweden, Gullers started working with photographer Jan de Meyere, known for his distinctive high-key portraits, at Kungsgatan 19, the street where Gullers had his studio for twenty years. He also worked as aerial photographer at Aeromateriel AB for three summers producing photographs for the first book depicting Sweden from the air. In 1938 Gullers started its own company, Studio Gullers at St Eriksgatan in Stockholm which he operated for forty years. He later employed other photographers to assist with its burgeoning business; notably his son Peter Gullers who later became an architectural photographer and also published many books,[2] Bo Trenter (son of his friend Steig), and Georg Sessler and Björn Enström who both worked there for twenty five years. Assisting were Gullers` then wife Ingvor and Magda Persson, a skilled copyist, both recruited from Jan de Meyere`s studio. After few years at St. Eriksgatan, Studio Gullers moved into one of the 1906 Kungstorn tower blocks at Kungsgatan 30. Studio Gullers AB Gullers Production Ltd was also a book publisher. On September 1, 1939, Gullers was enlisted at Västerås in 1940 and later was deployed as a war photographer. There he befriended Stieg Trenter who based his novel Harry Friberg on the photographer. They remained close until Trenters` death in 1967, and the writer`s novels were used as the screenplays for a 1987 TV drama series in which the part of Harry Friberg was played by Örjan Ramberg; Träff i helfigur, Lysande landning, and Idag röd. In an accompanying TV Movie documentary Stieg Trenter - Ett porträtt, Gullers appeared as himself. Immediately after the war Gullers went to the US where he produced work for magazines and some industrial photography. Fascinated with the photo-books that started appearing in the US about that time, and meeting many of the photographers who had produced them, he returned to Stockholm inspired. He found a publisher for a picture-book on Stockholm which came out in 1946. In 1947 Ziff-Davis in Chicago also published one of his earliest books.[3] He started to spend about 200 days of the year travelling the world.[4] Recognition and contribution Betty Bjurström on the cover of SE, nr 13, 1941. Photographer: K.W. Gullers. During the years 1938-46, Gullers contributed pictures to a series of Swedish and foreign journals, including Picture Post, Illustrated, Se and Vi, and also wrote articles himself. Gullers had his first exhibition, "A bit of Sweden" in London in 1942. The pictures were primarily from his documentation of Sweden during the War and propaganda he produced for the government, but also of Swedish industry. In the spring of 1945 he made around 30 photographs in Malmö of the arrival and recovery of former concentration camp prisoners for Vi. The impact of his photographs influenced the Swedish aid effort.[5] In 1953, Gullers became chairman of Svenska Fotografers Förbund (SFF). Over four years as chairman he worked with, inter alia, Kerstin Bernhard and Karl Sandel on training standards and legal and pricing issues. He was succeeded by Curt Götlin. Gullers was also active in the Nordiska fotografförbundet (‘Nordic Photographic Association’)[6] for fifteen years and was a founding member of Europhot (European Association for the Photographer).[7][8] He was included in Postwar European Photography, May 26 to 23 August 23, 1953, at the Museum of Modern Art. Gullers` representation of Swedish poverty, a Karelian grandmother embracing her granddaughter on a low bed, her bare feet resting on worn floorboards as she rocks a baby in a makeshift cradle, was seen by Edward Steichen. He selected it for the 1955 world-touring Museum of Modern Art exhibition The Family of Man seen by 9 million visitors.[9] From 1957 Gullers became one of the first Stockholm studios with its own Type C colour laboratory, for twelve years producing thousands of photographs a week, and for commissions from major Swedish companies ASEA, Astra, Fiskeby, Volvo, Svenska Metallverken, Stora, Kopparberg, Möln-lycke Väfveriakriebolag, amongst others,[10][4] exclusively using the Swedish medium-format Hasselblad camera. As a result his books were from then on exclusively in colour. He presented Swedish Industry in Colour, an exhibition that was part of the Sweden Comes to Britain 1961–62 campaign at the Federation of British Industries headquarters, in Tothill Street, London and colour printing of the 85 images was funded by the commissioning companies.[11][4] Gullers was the first Swedish photojournalist to have a solo exhibition in Sweden, at the gallery De Unga in Stockholm, following international exhibitions of his work held in London,[12] New York and Chicago, and elsewhere. In 1963, Studio Gullers celebrated its twenty-fifth birthday with a major exhibition at the Ealing Technical College March 19–31,[13] and the book Made in Sweden. Legacy In 1990, the Nordic Museum purchased Guller`s collection of pictures from 1938-78. The collection consists of approximately 470,000 negatives, monochrome and colour, most in 6x6 format. There are also approximately 5,000 archival copies of size 24x30 cm and over 100,000 contact sheets. The collection also includes a negative ledger, a copy of the first editions of sixty-two book titles, press releases and two cameras; his Kodak Brownie and a Rolleiflex. Among subjects of his portraits are Charlie Chaplin (1945), Ingrid Bergman (1945), Ingrid Bergman and Alfred Hitchcock (1946), Gregory Peck (1945), Orson Welles (1952), John Steinbeck (1947), Bruno Mathsson (1951), Duke Ellington (1945), Royal Prince Bertel (1940s), Astrid Lindgren (1952), and Prince Carl XVI Gustaf (1952)[14] Personal life In 1937 Gullers married Ingvor Margareta Alberts (April 4, 1914 – August 21, 2009). They had a son Peter (b.1938), two daughters Ingela Rudebeck Gullers (1949-1973), and Kristina Gullers (Levander). Gullers later married author Barbara Donnely. Exhibitions 1946: Jan 20–Feb 3, Sweden: A Workshop of Democracy, American Swedish Historical Museum, solo show of fifty photographs.[15] 1948 solo show, De Unga Gallery, Stockholm[16] 1960 Swedish Industry in Colour during `Sweden Comes to Britain 1961–62` exposition at the Federation of British Industries headquarters, Tothill Street, London 1963 solo show at Ealing Technical College, London, March 19–31. 1993 KW Gullers: Photo Memories, Mölndal museum 2013: Jan 16–Aug 18 Folkhemmets kändisar (`Celebrity Photographs`), group exhibition from the collection, Nordiska Museet. 2013-2015: images included in travelling group exhibition Folkhemmets room, Nordiska Museet. Originalhalbleinen mit Originalumschlag 28cm Unpaginated. With dust jacket. Beige and red cloth. Contains black and white illustrations. Reprinted. ( First edition: 1958) Nur der Umschlag mit leichten Gebrauchsspuren, sonst SEHR gutes Exemplar. Karl Werner Edmund Gullers (September 5, 1916 – February 21, 1998),[1] was a Swedish press and commercial photographer, and also the model for Stieg Trenter`s crime novel Harry Friberg. Gullers established his photography business in 1938 under the name Studio Gullers and it was active until 1978. Early years Gullers was one of five children of Emil, a lawyer and farmer`s son from Rising, Östergötland (one of the founders of what is now the Swedish Liberal Party) and Anna Charlotta Gullers, a teacher. He grew up in Klara, the most central parish in Stockholm. He was brother of Arvid Gullers, and half-brother of Waldemar Gullers, Maj Amalia Gullers, Sigrid Augusta Järemo and Emil Ragnar Gullers. He frequently borrowed his brother`s camera and at the age of twelve his father bought him his own, a Kodak Brownie box camera. Three years later, in 1932, he began working for Anders Forsner, a leading photographer in Stockholm, who gave him his photographic education. He also photographed after hours, learning to use available light, which he continued to favour even for industrial photography. He was one of the founders of the blixthatarnas förening (‘flash-haters association`) for hard-core press photographers. At eighteen years old, he received a scholarship for a trip to England. The trip piqued his interest in photojournalism. Photography Returning to Sweden, Gullers started working with photographer Jan de Meyere, known for his distinctive high-key portraits, at Kungsgatan 19, the street where Gullers had his studio for twenty years. He also worked as aerial photographer at Aeromateriel AB for three summers producing photographs for the first book depicting Sweden from the air. In 1938 Gullers started its own company, Studio Gullers at St Eriksgatan in Stockholm which he operated for forty years. He later employed other photographers to assist with its burgeoning business; notably his son Peter Gullers who later became an architectural photographer and also published many books,[2] Bo Trenter (son of his friend Steig), and Georg Sessler and Björn Enström who both worked there for twenty five years. Assisting were Gullers` then wife Ingvor and Magda Persson, a skilled copyist, both recruited from Jan de Meyere`s studio. After few years at St. Eriksgatan, Studio Gullers moved into one of the 1906 Kungstorn tower blocks at Kungsgatan 30. Studio Gullers AB Gullers Production Ltd was also a book publisher. On September 1, 1939, Gullers was enlisted at Västerås in 1940 and later was deployed as a war photographer. There he befriended Stieg Trenter who based his novel Harry Friberg on the photographer. They remained close until Trenters` death in 1967, and the writer`s novels were used as the screenplays for a 1987 TV drama series in which the part of Harry Friberg was played by Örjan Ramberg; Träff i helfigur, Lysande landning, and Idag röd. In an accompanying TV Movie documentary Stieg Trenter - Ett porträtt, Gullers appeared as himself. Immediately after the war Gullers went to the US where he produced work for magazines and some industrial photography. Fascinated with the photo-books that started appearing in the US about that time, and meeting many of the photographers who had produced them, he returned to Stockholm inspired. He found a publisher for a picture-book on Stockholm which came out in 1946. In 1947 Ziff-Davis in Chicago also published one of his earliest books.[3] He started to spend about 200 days of the year travelling the world.[4] Recognition and contribution Betty Bjurström on the cover of SE, nr 13, 1941. Photographer: K.W. Gullers. During the years 1938-46, Gullers contributed pictures to a series of Swedish and foreign journals, including Picture Post, Illustrated, Se and Vi, and also wrote articles himself. Gullers had his first exhibition, "A bit of Sweden" in London in 1942. The pictures were primarily from his documentation of Sweden during the War and propaganda he produced for the government, but also of Swedish industry. In the spring of 1945 he made around 30 photographs in Malmö of the arrival and recovery of former concentration camp prisoners for Vi. The impact of his photographs influenced the Swedish aid effort.[5] In 1953, Gullers became chairman of Svenska Fotografers Förbund (SFF). Over four years as chairman he worked with, inter alia, Kerstin Bernhard and Karl Sandel on training standards and legal and pricing issues. He was succeeded by Curt Götlin. Gullers was also active in the Nordiska fotografförbundet (‘Nordic Photographic Association’)[6] for fifteen years and was a founding member of Europhot (European Association for the Photographer).[7][8] He was included in Postwar European Photography, May 26 to 23 August 23, 1953, at the Museum of Modern Art. Gullers` representation of Swedish poverty, a Karelian grandmother embracing her granddaughter on a low bed, her bare feet resting on worn floorboards as she rocks a baby in a makeshift cradle, was seen by Edward Steichen. He selected it for the 1955 world-touring Museum of Modern Art exhibition The Family of Man seen by 9 million visitors.[9] From 1957 Gullers became one of the first Stockholm studios with its own Type C colour laboratory, for twelve years producing thousands of photographs a week, and for commissions from major Swedish companies ASEA, Astra, Fiskeby, Volvo, Svenska Metallverken, Stora, Kopparberg, Möln-lycke Väfveriakriebolag, amongst others,[10][4] exclusively using the Swedish medium-format Hasselblad camera. As a result his books were from then on exclusively in colour. He presented Swedish Industry in Colour, an exhibition that was part of the Sweden Comes to Britain 1961–62 campaign at the Federation of British Industries headquarters, in Tothill Street, London and colour printing of the 85 images was funded by the commissioning companies.[11][4] Gullers was the first Swedish photojournalist to have a solo exhibition in Sweden, at the gallery De Unga in Stockholm, following international exhibitions of his work held in London,[12] New York and Chicago, and elsewhere. In 1963, Studio Gullers celebrated its twenty-fifth birthday with a major exhibition at the Ealing Technical College March 19–31,[13] and the book Made in Sweden. Legacy In 1990, the Nordic Museum purchased Guller`s collection of pictures from 1938-78. The collection consists of approximately 470,000 negatives, monochrome and colour, most in 6x6 format. There are also approximately 5,000 archival copies of size 24x30 cm and over 100,000 contact sheets. The collection also includes a negative ledger, a copy of the first editions of sixty-two book titles, press releases and two cameras; his Kodak Brownie and a Rolleiflex. Among subjects of his portraits are Charlie Chaplin (1945), Ingrid Bergman (1945), Ingrid Bergman and Alfred Hitchcock (1946), Gregory Peck (1945), Orson Welles (1952), John Steinbeck (1947), Bruno Mathsson (1951), Duke Ellington (1945), Royal Prince Bertel (1940s), Astrid Lindgren (1952), and Prince Carl XVI Gustaf (1952)[14] Personal life In 1937 Gullers married Ingvor Margareta Alberts (April 4, 1914 – August 21, 2009). They had a son Peter (b.1938), two daughters Ingela Rudebeck Gullers (1949-1973), and Kristina Gullers (Levander). Gullers later married author Barbara Donnely. Exhibitions 1946: Jan 20–Feb 3, Sweden: A Workshop of Democracy, American Swedish Historical Museum, solo show of fifty photographs.[15] 1948 solo show, De Unga Gallery, Stockholm[16] 1960 Swedish Industry in Colour during `Sweden Comes to Britain 1961–62` exposition at the Federation of British Industries headquarters, Tothill Street, London 1963 solo show at Ealing Technical College, London, March 19–31. 1993 KW Gullers: Photo Memories, Mölndal museum 2013: Jan 16–Aug 18 Folkhemmets kändisar (`Celebrity Photographs`), group exhibition from the collection, Nordiska Museet. 2013-2015: images included in travelling group exhibition Folkhemmets room, Nordiska Museet.
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Bestell-Nr.: 304488 - gefunden im Sachgebiet: Photographie
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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Ernst Haas in Black and White. 1992. Cloth with dustjacket.

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Haas, Ernst and Jim Hughes: Ernst Haas in Black and White. 1992. Cloth with dustjacket. Vereinigte Staaten von Amerika 1992. Schutzumschlag etwas berieben und kl. Randeinrisse, ansonst guter und sauberer Zustand.--------------------------------------------------A bulfinch press book. A beatufiul copy of a beautifully reproduced monograph profusely illustrated with Ernst Haas almost unknown black and white work which easily rivals his better known color work. Antikbuch24-SchnellhilfeQuart = Höhe des Buchrücken 30-35 cm, OHLwd.Antikbuch24-SchnellhilfeLwd. = Leinwand mit Schutzumschlag, 143 Seiten mit zahlreichen Abbildungen, 1.Auflage, Schutzumschlag etwas berieben und kl. Randeinrisse, ansonst guter und sauberer Zustand.--------------------------------------------------A bulfinch press book. A beatufiul copy of a beautifully reproduced monograph profusely illustrated with Ernst Haas almost unknown black and white work which easily rivals his better known color work.
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Bestell-Nr.: 84907 - gefunden im Sachgebiet: Fotografie
Anbieter: Antiquariat Deinbacher, AT-3142 Murstetten

EUR 125,00
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Lehrbuch der Chemie. Band VIII.

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Chemielehrbuch, 19. Jahrhundert Berzelius, J. J.: Lehrbuch der Chemie. Band VIII. Dresden und Leipzig: Arnoldische Buchhandlung, 1839. Aus der schwedischen Handschrift des Verfassers übersetzt von F. Woehler. Einband Kanten und Deckel etwas bestoßen und berieben, Ecken bestoßen und etwas aufgebogen . Seiten leicht gebräunt und etwas fleckig. Sonst gutes Exemplar der ORIGINALAUSGABE. This German translation of Berzelius main work contains many additions by the author not found in the swedish edition. - "Berzelius`s work on the science of Chemistry in general is universally known. He mastered the whole of Chemistry as no one else has ever done since his time, and he created something new in all the spheres in which he worked.". Originalpappband, ca. 14 x 22 cm. 767 Seiten. Dritte umgearbeitete und VERMEHRTE Original-Auflage, ISBN: B00FQXHV4E Einband Kanten und Deckel etwas bestoßen und berieben, Ecken bestoßen und etwas aufgebogen . Seiten leicht gebräunt und etwas fleckig. Sonst gutes Exemplar der ORIGINALAUSGABE. This German translation of Berzelius main work contains many additions by the author not found in the swedish edition. - "Berzelius`s work on the science of Chemistry in general is universally known. He mastered the whole of Chemistry as no one else has ever done since his time, and he created something new in all the spheres in which he worked.".
[SW: Chemielehrbuch, 19. Jahrhundert]
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Bestell-Nr.: 10333 - gefunden im Sachgebiet: Chemie
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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In Kathrina`s Wake.

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Photographie, Photographer, PhotograIn Kathrina_photography, Hurrikan, Desaster, hurricane, Dokument Jordan, Chris: In Kathrina`s Wake. Princeton Architectural Press, New York, no year (2005). Portraits of loss form and unnatural disaster. Photographs by Chris Jordan. Essays by Bill McKibben and Susan Zakin. Poems by Victoria Sloan Jordan. Ganz kleine Kratzspur an der vorderen unteren Rückenkante,am Fuß des Rückens ganz kleines Fleckchen, sonst sehr gutes Exemplar der ERSTAUSGABE. Zu JORDAN vgl. WIKIPDIA : Many of Jordan`s works are created from photographs of garbage and mass consumption, a serendipitous technique which started when he visited an industrial yard to look at patterns of color and order. Jordan uses everyday commonalities such as a plastic cup and defines the blind unawareness involved in American consumerism. His work, while often unsettling, is a message about unconscious behaviors in our everyday lives, leaving it to the viewer to draw conclusions about the inevitable consequences which will arise from our habits.[2] Jordan`s work can be grouped in the following series: Intolerable Beauty: Portraits of American Mass Consumption (2003–2006)[3] – A series of large format photographs depicting the magnitude of America`s waste and consumption. In Katrina’s Wake: Portraits of Loss from an Unnatural Disaster (2005)[4] – A series of photographs taken in 2005 depicting the aftermath of Hurricane Katrina. Running The Numbers I: An American Self Portrait (2006–2009)[5] – A series of photographic mosaics depicting visualizations of statistics related to America`s consumerism, social problems, and addictions. Running the Numbers II: Portraits of global mass culture Originalleinen. Original cloth 111 pages. Mit zahlreichen farbigen Abbildungen. First edition Ganz kleine Kratzspur an der vorderen unteren Rückenkante,am Fuß des Rückens ganz kleines Fleckchen, sonst sehr gutes Exemplar der ERSTAUSGABE. Zu JORDAN vgl. WIKIPDIA : Many of Jordan`s works are created from photographs of garbage and mass consumption, a serendipitous technique which started when he visited an industrial yard to look at patterns of color and order. Jordan uses everyday commonalities such as a plastic cup and defines the blind unawareness involved in American consumerism. His work, while often unsettling, is a message about unconscious behaviors in our everyday lives, leaving it to the viewer to draw conclusions about the inevitable consequences which will arise from our habits.[2] Jordan`s work can be grouped in the following series: Intolerable Beauty: Portraits of American Mass Consumption (2003–2006)[3] – A series of large format photographs depicting the magnitude of America`s waste and consumption. In Katrina’s Wake: Portraits of Loss from an Unnatural Disaster (2005)[4] – A series of photographs taken in 2005 depicting the aftermath of Hurricane Katrina. Running The Numbers I: An American Self Portrait (2006–2009)[5] – A series of photographic mosaics depicting visualizations of statistics related to America`s consumerism, social problems, and addictions. Running the Numbers II: Portraits of global mass culture
[SW: Photographie, Photographer, PhotograIn Kathrina_photography, Hurrikan, Desaster, hurricane, Dokumentation]
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Bestell-Nr.: 237004 - gefunden im Sachgebiet: Photographie
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 18,00
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International Journal of Labour Research - IJLR  Psychosocial risks, stress and violence in the world of work - International Journal of Labour Research - Volume 8 Issue 1-2

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International Journal of Labour Research - IJLR Psychosocial risks, stress and violence in the world of work - International Journal of Labour Research - Volume 8 Issue 1-2 International Labour Office ILO 2017 Geneva Paperback 131 S. gr. 8ºAntikbuch24-Schnellhilfegroß Oktav = Höhe des Buchrücken 22,5-25 cm Contents: Valentina Forastieri: Prevention of psychosocial risks and work-related stress Jane Pillinger: Psychosocial risks and violence in the world of work: A trade union perspective Sandrine Laviolette: Workplace violence in France: Towards an analysis of vulnerable targets Elke Ahlers: Flexible and remote work in the context of digitization and occupational health Pav Akhtar and Phoebe Moore: The psychocosial impacts of technological change in contemporary workplaces, and trade union responses READY TO SEND! Very good condition, nice and clean copy, like new ISBN: 9789221304630 wie neu
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Bestell-Nr.: 211212b47y - gefunden im Sachgebiet: Englischsprachige Bücher: Sachbücher (engl.)
Anbieter: primobuch, DE-12163 Berlin

EUR 35,00
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Erkenntnis , Wissenschaft , Wissenschaftstheorie , Erkenntnistheorie , Kritischer Rationalismus,, Fo Popper, Karl R.: Logik der Forschung. Tübingen : Mohr, 1984. Die Einheit der Gesellschaftswissenschaften , Band 4. FRISCHES, SEHR gutes Exemplar der VERBESSERTEN Auflage.- " Das Elend des Historizismus" mit zahlreichen Bleistiftanstreichungen eines mit Popper befreundeten, nicht unbedeutenden Philosophen. GESAMT: ZWEI Bände. - Described by the philosopher A.J. Ayer as a work of `great originality and power`, this book revolutionized contemporary thinking on science and knowledge. Ideas such as the now legendary doctrine of `falsificationism` electrified the scientific community, influencing even working scientists, as well as post-war philosophy. This astonishing work ranks alongside The Open Society and Its Enemies as one of Popper`s most enduring books and contains insights and arguments that demand to be read to this day. Originalbroschur. XXIX, 468 Seiten; 24 cm ACHTE, weiter VERBESSERTE und VERMEHRTE Auflage. BEILIEGT: Karl R. Popper: Das Elend des Historizismus. ZWEITE, unveränderte Auflage, Mohr 1969. 132 Seiten. Originalbroschur. FRISCHES Exemplar. FRISCHES, SEHR gutes Exemplar der VERBESSERTEN Auflage.- " Das Elend des Historizismus" mit zahlreichen Bleistiftanstreichungen eines mit Popper befreundeten, nicht unbedeutenden Philosophen. GESAMT: ZWEI Bände. - Described by the philosopher A.J. Ayer as a work of `great originality and power`, this book revolutionized contemporary thinking on science and knowledge. Ideas such as the now legendary doctrine of `falsificationism` electrified the scientific community, influencing even working scientists, as well as post-war philosophy. This astonishing work ranks alongside The Open Society and Its Enemies as one of Popper`s most enduring books and contains insights and arguments that demand to be read to this day.
[SW: Erkenntnis , Wissenschaft , Wissenschaftstheorie , Erkenntnistheorie , Kritischer Rationalismus,, Forschungslogik]
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Bestell-Nr.: 278570 - gefunden im Sachgebiet: Philosophie / Philosophiegeschichte
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
Konto in der Schweiz vorhanden - Zahlung über PayPal möglich auf folgende Email: strassberger@email.de

EUR 26,50
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amerikanische Malerei, 19. Jahrhunder Simpson, Marc, Sally Mills and Jennifer Saville: The American Canvas : Paintings from the Collection of the Fine Arts Museums of San Francisco. Verlag: New York, NY : Hudson Hills Press, 1989. ISBN 10: 1555950256ISBN 13: 9781555950255 FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. - The collection of American paintings at The Fine Arts Museums of San Francisco is certainly one of the great survey collections anywhere. It was formed by the combination of the holdings of the M. H. de Young Memorial Museum, the California Palace of the Legion of Honor, and the collection of Mr. and Mrs. John D. Rockefeller 3rd, given to the consolidated institutions ten years ago. The American Canvas presents more than one hundred works from this collection, selected both for their individual importance and because together they form a representative overview of the history of American painting from 1670 to the mid-twentieth century. Each work is reproduced in full color, and each is accompanied by an extensive text discussing the artist`s life and career as well as the work itself in aesthetic terms and in terms of its historical context. The volume is thus a comprehensive documentation of aesthetic and historic accomplishment, a beautiful and colorful record of the American mind and spirit. The 105 paintings by 89 artists include many noted masterpieces, among them such icons of American art as John Vanderlyn`s Caius Marius amid the Ruins of Carthage, George Caleb Bingham`s Boatmen on the Missouri and. Country Politician, Frederic Edwin Church`s Rainy Season in the Tropics, William M. Harnett`s After the Hunt, Alexander Pope`s Trumpeter Swan, Thomas Anshutz`s The Ironworkers` Noontime, John Singer Sargent`s A Dinner Table at Night (The Glass of Claret), and Grant Wood`s Dinner for Threshers. Originalbroschur. 254 Seiten. Mit zahlreichen farbigen Abbildungen. FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. - The collection of American paintings at The Fine Arts Museums of San Francisco is certainly one of the great survey collections anywhere. It was formed by the combination of the holdings of the M. H. de Young Memorial Museum, the California Palace of the Legion of Honor, and the collection of Mr. and Mrs. John D. Rockefeller 3rd, given to the consolidated institutions ten years ago. The American Canvas presents more than one hundred works from this collection, selected both for their individual importance and because together they form a representative overview of the history of American painting from 1670 to the mid-twentieth century. Each work is reproduced in full color, and each is accompanied by an extensive text discussing the artist`s life and career as well as the work itself in aesthetic terms and in terms of its historical context. The volume is thus a comprehensive documentation of aesthetic and historic accomplishment, a beautiful and colorful record of the American mind and spirit. The 105 paintings by 89 artists include many noted masterpieces, among them such icons of American art as John Vanderlyn`s Caius Marius amid the Ruins of Carthage, George Caleb Bingham`s Boatmen on the Missouri and. Country Politician, Frederic Edwin Church`s Rainy Season in the Tropics, William M. Harnett`s After the Hunt, Alexander Pope`s Trumpeter Swan, Thomas Anshutz`s The Ironworkers` Noontime, John Singer Sargent`s A Dinner Table at Night (The Glass of Claret), and Grant Wood`s Dinner for Threshers.
[SW: amerikanische Malerei, 19. Jahrhunder]
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Bestell-Nr.: 283531 - gefunden im Sachgebiet: Kunstgeschichte / Kunstwissenschaft
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 35,00
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Mathematik Wodarz, Dominik: Killer Cell Dynamics : Mathematical and Computational Approaches to Immunology. New York, NY : Springer New York, 2007. Interdisciplinary Applied Mathematics ; 32 FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. This book reviews how mathematical and computational approaches can be useful to help us understand how killer T-cell responses work to fight viral infections. It also demonstrates, in a writing style that exemplifies the point, that such mathematical and computational approaches are most valuable when coupled with experimental work through interdisciplinary collaborations. Designed to be useful to immunoligists and viroligists without extensive computational background, the book covers a broad variety of topics, including both basic immunological questions and the application of these insights to the understanding and treatment of pathogenic human diseases. Originalpappband. XIII, 220 Seiten. Fist Edition. FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. This book reviews how mathematical and computational approaches can be useful to help us understand how killer T-cell responses work to fight viral infections. It also demonstrates, in a writing style that exemplifies the point, that such mathematical and computational approaches are most valuable when coupled with experimental work through interdisciplinary collaborations. Designed to be useful to immunoligists and viroligists without extensive computational background, the book covers a broad variety of topics, including both basic immunological questions and the application of these insights to the understanding and treatment of pathogenic human diseases.
[SW: Mathematik]
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Bestell-Nr.: 294379 - gefunden im Sachgebiet: Mathematik
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 48,00
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Grafton, Samuel ( Editor): Lithopinion - Graphic Arts and Public Affairs Journal - Softcover magazine. Volume 2, Number 1, Issue 5. Local One, Amalgamated Lithographers of America, New York, 1967. FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. Articles include: A "Quantum Jump" in Craftsmanship, Automation Needs Skilled Hands, Tamarind-Where Artist and Craftsman Meet, Justice Without The $ Sign, Dirty Politics Loses Elections, New York Craftsmen Work 24 Hours A Day with photographs by Paul Fusco, An Underground Gallery featuring the work of Tomi Ungerer, The Nordic Craftsmen. - U.a. mit sechs farbigen Abbildungen von TOMI UNGERER. Originalbroschur. FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. Articles include: A "Quantum Jump" in Craftsmanship, Automation Needs Skilled Hands, Tamarind-Where Artist and Craftsman Meet, Justice Without The $ Sign, Dirty Politics Loses Elections, New York Craftsmen Work 24 Hours A Day with photographs by Paul Fusco, An Underground Gallery featuring the work of Tomi Ungerer, The Nordic Craftsmen. - U.a. mit sechs farbigen Abbildungen von TOMI UNGERER.
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Bestell-Nr.: 296130 - gefunden im Sachgebiet: Kunstgeschichte / Kunstwissenschaft
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 38,00
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Tennyson, Alfred: Enid. Illustrated by Gustave Doré. Edward Moxon & Co., London, 1868. Der Einband mit leichteren Gebrauchsspuren. Die Deckel leicht fleckig, die Ecken und Kapitale etwas bestoßen. Einige Seiten leicht stockfleckig. Sonst gutes Exemplar der ERSTAUSGABE. Book is in good condition . Gilt text block edges and the blue cloth is richly decorated with gilt ornamental work and gilt text on spine and front board. Illustrations are protected by tissue papers (complete). Some external wear, rubbing and tears (esp. spine ends and board corners, see photos). Little spotting to few pages otherwise clean . - Doré illustrates the first four episodes from Tennyson`s poetic cycle: Enid, Vivien, Elaine, and Guinevere. Doré`s edition was first published in four parts between 1867 and 1868. The notice for the third part, Elaine, by the Saturday Review critic could apply equally to the entire series: it was, he declared, "the most ambitious and ornate work of the day", honouring Tennyson with "typography and general sumptuousness" (cited in Kooistra, p. 238). The French critic Jules Claretie later noted that Doré`s "imagination and sense of fantasy were at ease in this dream world. With a powerful poetry he evoked the depths of the avenues of druidic oaks, the dark forests of Broceliande, the enchanted lakes, the exploits of Lancelot, the heroics of the Knights of the Round Table, the pale visions of the enchanted past" (cited in Zafran, p. 99). Moxon spared no expense in employing the best English engravers of the day to capture on steel Doré`s vision, and the fine typography by Swift & Co. should not be overlooked. Ray 250; Lorraine Janzen Kooistra, The Illustrated Gift Book and Victorian Visual Culture 1855-1875, 2011; Eric Zafran, Fantasy and Faith: The Art of Gustave Doré, 2007. Originalleinen. Folio (42cm x 31cm). 107 pages, 9 full-page illustrations by Gustav Doré. First edition. Der Einband mit leichteren Gebrauchsspuren. Die Deckel leicht fleckig, die Ecken und Kapitale etwas bestoßen. Einige Seiten leicht stockfleckig. Sonst gutes Exemplar der ERSTAUSGABE. Book is in good condition . Gilt text block edges and the blue cloth is richly decorated with gilt ornamental work and gilt text on spine and front board. Illustrations are protected by tissue papers (complete). Some external wear, rubbing and tears (esp. spine ends and board corners, see photos). Little spotting to few pages otherwise clean . - Doré illustrates the first four episodes from Tennyson`s poetic cycle: Enid, Vivien, Elaine, and Guinevere. Doré`s edition was first published in four parts between 1867 and 1868. The notice for the third part, Elaine, by the Saturday Review critic could apply equally to the entire series: it was, he declared, "the most ambitious and ornate work of the day", honouring Tennyson with "typography and general sumptuousness" (cited in Kooistra, p. 238). The French critic Jules Claretie later noted that Doré`s "imagination and sense of fantasy were at ease in this dream world. With a powerful poetry he evoked the depths of the avenues of druidic oaks, the dark forests of Broceliande, the enchanted lakes, the exploits of Lancelot, the heroics of the Knights of the Round Table, the pale visions of the enchanted past" (cited in Zafran, p. 99). Moxon spared no expense in employing the best English engravers of the day to capture on steel Doré`s vision, and the fine typography by Swift & Co. should not be overlooked. Ray 250; Lorraine Janzen Kooistra, The Illustrated Gift Book and Victorian Visual Culture 1855-1875, 2011; Eric Zafran, Fantasy and Faith: The Art of Gustave Doré, 2007.
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Bestell-Nr.: 296912 - gefunden im Sachgebiet: Illustrierte Bücher
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 175,00
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Leben Knowlson, James: Damned to Fame: Life of Samuel Beckett: The Life of Samuel Beckett ISBN 10: 0747531692ISBN 13: 9780747531692 London Bloomsbury Publishing, 1997. SEHR schönes Exemplar der maßgeblichen Biographie. BEILIEGT: Ausführlicher Zeitungsartikel von Willi Winkler in der SZ (2003) über Becketts Tagebuch des Deutschland-Besuchs im jahr 1936. A triumph of scholarship and sympathy. one of the great post-war biographies` - Independent A landmark in scholarly criticism. Knowlson is the world`s largest Beckett scholar. His life is right up there with George Painter`s Proust and Richard Ellmann`s Joyce in sensitivity and fascination` - Daily Telegraph It is hard to imagine a fuller portrait of the man who gave our age some of the myths by which it lives` - Samuel Beckett`s long-standing friend, James Knowlson, recreates Beckett`s youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Continent, where he plunged into the multicultural literary society of late-1920s Paris. The biography throws new light on Beckett`s stormy relationship with his mother, the psychotherapy he received after the death of his father and his crucial relationship with James Joyce. There is also material on Beckett`s six-month visit to Germany as the Nazi`s tightened their grip. The book includes unpublished material on Beckett`s personal life after he chose to live in France, including his own account of his work for a Resistance cell during the war, his escape from the Gestapo and his retreat into hiding. Obsessively private, Beckett was wholly committed to the work which eventually brought his public fame, beginning with the controversial success of "Waiting for Godot" in 1953, and culminating in the award of the Nobel Prize for Literature in 1969. Originalpappband mit Original-Schutzumschlag. XXIV, 872 Seiten. SEHR schönes Exemplar der maßgeblichen Biographie. BEILIEGT: Ausführlicher Zeitungsartikel von Willi Winkler in der SZ (2003) über Becketts Tagebuch des Deutschland-Besuchs im jahr 1936. A triumph of scholarship and sympathy. one of the great post-war biographies` - Independent A landmark in scholarly criticism. Knowlson is the world`s largest Beckett scholar. His life is right up there with George Painter`s Proust and Richard Ellmann`s Joyce in sensitivity and fascination` - Daily Telegraph It is hard to imagine a fuller portrait of the man who gave our age some of the myths by which it lives` - Samuel Beckett`s long-standing friend, James Knowlson, recreates Beckett`s youth in Ireland, his studies at Trinity College, Dublin in the early 1920s and from there to the Continent, where he plunged into the multicultural literary society of late-1920s Paris. The biography throws new light on Beckett`s stormy relationship with his mother, the psychotherapy he received after the death of his father and his crucial relationship with James Joyce. There is also material on Beckett`s six-month visit to Germany as the Nazi`s tightened their grip. The book includes unpublished material on Beckett`s personal life after he chose to live in France, including his own account of his work for a Resistance cell during the war, his escape from the Gestapo and his retreat into hiding. Obsessively private, Beckett was wholly committed to the work which eventually brought his public fame, beginning with the controversial success of "Waiting for Godot" in 1953, and culminating in the award of the Nobel Prize for Literature in 1969.
[SW: Leben]
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Bestell-Nr.: 299756 - gefunden im Sachgebiet: Biographie / Autobiographie / Memoiren / Briefwechsel / Tagebücher
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 24,00
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Wiener, Norbert: Nonlinear Problems in Random Theory ISBN 10: 1614275106 / ISBN 13: 9781614275107 Technology Press of M. I. T., 1966. In excellent shape. - A series of lectures on the role of nonlinear processes in physics, mathematics, electrical engineering, physiology, and communication theory.From the preface: `For some time I have been interested in a group of phenomena depending upon random processes. One the one hand, I have recorded the random shot effect as a suitable input for testing nonlinear circuits. On the other hand, for some of the work that Professor W. A. Rosenblith and I have been doing concerning the nature of the electroencephalogram, and in particular of the alpha rhythm, it has occurred to me to use the model of a system of random nonlinear oscillators excited by a random input. . . . At the beginning we had contemplated a series of only four or five lectures. My ideas developed pari passu with the course, and by the end of the term we found ourselves with a set of fifteen lectures. The last few of these were devoted to the application of my ideas to problems in the statistical mechanics of gases. This work is both new and tentative, and I found that I had to supplement my course by the writing over of these with the help of Professer Y. W. Lee. `. Originalbroschur. 21cm VIII,131 Seiten. Index. First paperback edition. In excellent shape. - A series of lectures on the role of nonlinear processes in physics, mathematics, electrical engineering, physiology, and communication theory.From the preface: `For some time I have been interested in a group of phenomena depending upon random processes. One the one hand, I have recorded the random shot effect as a suitable input for testing nonlinear circuits. On the other hand, for some of the work that Professor W. A. Rosenblith and I have been doing concerning the nature of the electroencephalogram, and in particular of the alpha rhythm, it has occurred to me to use the model of a system of random nonlinear oscillators excited by a random input. . . . At the beginning we had contemplated a series of only four or five lectures. My ideas developed pari passu with the course, and by the end of the term we found ourselves with a set of fifteen lectures. The last few of these were devoted to the application of my ideas to problems in the statistical mechanics of gases. This work is both new and tentative, and I found that I had to supplement my course by the writing over of these with the help of Professer Y. W. Lee. `.
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Bestell-Nr.: 303430 - gefunden im Sachgebiet: Mathematik
Anbieter: Chiemgauer Internet Antiquariat GbR, DE-83352 Altenmarkt
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EUR 28,00
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